student said:(A) Let me be polite, and rephrase your comments for you.
Perhaps what you really meant was that these imageries do not appeal to you. And because they do not appeal to you, you do not understand why she was given certain accolades?
...
Let me be polite also, please refrain from rephrasing my comments, it's not a very polite thing to do.
student said:...
(B) Or maybe I should be as blunt as you, and say what is in my mind.
1 Erica makes images for herself. You make images to please the models. There is a world of difference between the world view of people like Erica and yourself.
Erica images stand different. How are your images?
2 I assume that you do not understand what she was trying to say in her images.
What were you trying to say in the images of Bree? That she is beautiful and sensuous? Why say something that is already so obvious?
My images are of a genre that is most attempted in the history of art - portraitures of beautiful women. I chose it because I like it. I don't have to be different, I have to get better.
And to be very blunt, I shoot sex and sensuality. These are my images and I am proud of them. At this stage, I do not want to be different and see no need to, all I am striving for is to make the model even more sensual than they already are.
Why do I have to say the obvious, because that is what I want to say. I don't feel the need to have to photograph women in such a way that no one understands what I want to say, and then call it art, and call those who cannot understand, because there is noththing to understand, ignorant, narrow minded or even close minded.
I shoot beautiful models. I want to present her in her full glory, full of sexuality and sensuality. I am stating the obvious, and I want to state the obvious!
Pleasing the model, I please myself, but I do look to the model's judgement of the final image. She is the harshest critic of them all. If she does not like it, she doesn't, but if she does, I feel good about it. So, is there a problem?
student said:...
3 You said you did not know how to appreciate the images. Have you consider the possibility that "A photograph is a mirror. If an ass peers into it, you cannot expect an apostle to look out?"
Sorry, I do not see the photograph as a mirror.
I know you do. So, you can deal with the ass and apostle thing, I don't.
student said:...
5 Erica images look at the non events. The banal.
I see her trying to make beautiful images of nothing.
I see the possibility of diptych with two different images coming together to make a third.
I see symbolic associations.
To those whose minds and souls are unfettered, I see possible reactions to emotional microcosms within these images.
I see tension and an edge in these images that will reward those who will allow the images to speak to them.
Of course, they should shed their pre-conceived ideas of what images should be. How can a cup receive if it already so full of itself?
I see in Erica Lai's photographs, an attempt to create something out of nothing, and ended up still with nothing. I see her falling into the trap, make something no one really understands, and therefore, they cannot criticise, or even more appropriately, they don't know how to criticise.
This is a perfect trap. Majority of the people, who don't understand the image, are too afraid to say they don't understand, and since they don't understand, it must be art, and they don't want to be seen blind to art. What a beautiful trap.
Am I speaking for everyone, no, I am not that self deluded. But, show her picture to the masses, and let them decide. Again, how are you so sure everyone will like and appreciate Ms Lai's work?
Again, art, the most important audience is the artist himself/herself. The second most important audience is the masses, not the fellow artists or the chosen few.
Mozart, one of the greatest composer of all time, was then considered by the emperor and the court/court composers, who were the chosen audience at the time, to be too brash, to pop, too mass oriented. Well, go figure!