bro, if I remember correctly, 16mm and 10.5mm are fish eye lens with distortion build-in, and 14mm is non-fish eye and has the optical design to correct the distortion effect.LKY said:bro, thx for your response.
ya......i also noted this lense is very expensive. that why want to check anyone got any hand on report.
16mm and 10.5 fisheye are only s$1.3k (list price) nearly 3 times, it must have its selling points, may be is a ED lense
slacker123 said:get the sigma instead 3x cheaper and just as good image quality.
14mm on a nikon digital body can be equalled by a 16-35mm lens @ 16mm on a 1D I/II body.
food for thought.
LKY said:bro, thx for your response.
ya......i also noted this lense is very expensive. that why want to check anyone got any hand on report.
16mm and 10.5 fisheye are only s$1.3k (list price) nearly 3 times, it must have its selling points, may be is a ED lense
slacker123 said:get the sigma instead 3x cheaper and just as good image quality.
14mm on a nikon digital body can be equalled by a 16-35mm lens @ 16mm on a 1D I/II body.
food for thought.
This feature itself is already worth the $3k price...billkoh said:barely no distortion. great when using with film.
gadrian said:Its an awesome lens when used on a film, and was initially very welcomed as it gave a 21mm FOV for Nikon DX format DSLR's.
However, this lens sharpness starts to fall apart on newer DSLR bodies like the D2H/Hs and D2x. On the D100 and D70s its not as sharp as it is on film.
Perhaps you should read more about it from Bjørn Rørslett