farbird said:
what about using something called gray card to lock the exposure settings first?
Meters which are built-in in the cameras are called
reflected light meters. They measure light reflected from the subjects. (For comparison: a type of handheld meters is
incident light meter which has a white dome and measures light hitting the dome coming directly from the light sources.)
All reflected meters assume the
average brightness of the overall scene is same as the brightness of a midtone grey card placed in the same light setting. (Technically, a midtone grey card is called 18% grey. The "18%" is in logarithm scale.)
So, if you have a tricky scene which consists of, say, mainly white subjects, the meter will be "fooled". One option to get correct exposure is to dial in
compensation, to tell the meter how many stops the subject is off from midtone grey. Another option is to place a
grey card in front of the camera to do the metering, set the aperture/shutter according, then take the photo.
[p.s. Ok, there're actually some more complications when you take into account the latitude of the medium (e.g. film or CCD) and zone system -- mapping the actual grey scale in the scene into the desired grey scale in the final image. But that's beyond the basic...]