Yup. Totally agree. Nowadays any one can contribute to STOCK.
The digital in the hands of the ordinary give power to the masses. There are some markets that has transformed but there are some that still maintains. I think its hard for a hobbyist to have a day job and maintain an operational studio in an Industrial area at the same time even if he has all the money and time.
So, what is your concern, Lunas?
Thanks for sharing your view. Nothing special in particular. Just that lately, I have been reading up on portraiture and have been more active in this genre as compared to my past work.
Browsing through the work of some CSers work on portrait section, there are in fact some who claimed that they are 'newbie' take very good portraiture that may be 'almost' on par with commercial work or even better. In addition, Joe Mcnally introduces the use of multiple speedlights to create dynamic lighting in the field and the effect is just as good as a studio strobe....so, may I assume that one day the speedlight may just be as powerful as a studio strobe, causing these big lights to go obsolete. Further more, Nikon has made it so simple with the CLS. Everyone can do it, everyone can make great pictures. (Taking into consideration that one has to put in effort). Photography in the future may just be everybody's game. Competing with people all over the world.
Another interesting observation made by one of the CSers whom I have met. We were at the "Nu You longest cat walk" event. There was an area barricaded for the official photographer (or professional photographer, if you will). And there was this group of CSers lining just outside that barricade fence. Guess what, our CSers are using 5DMKII, Nikkor 200mm f/2.0 lens and many L lenses. While the people at the back, barricaded area are using 5D and 24mm - 105mm f/4 L lens (correct me on the lens range, as I am not a canon user). The investment of our CSers is larger then the pros.
So this CSer said, the ones that are outside the fence looks cheapskate but they are holding the most expensive gears, as compared to the pros who had the best position but gears not as outstanding as our CSers (Of course, I know that having good gear doesn't equates to good picture). And I am sure some of our fellow CSer(s) take wonderful images or maybe as good as the pros behind them...
The point that I am trying to make here is that the line between Pros and hobbyist are graying...it will be even more so in the future. Free-lancing, TFCDs & etc may put stress to the people who are really earning a living in this field.
P.S: I am studying MBA now, so trying to put some perspective on my learning. I maybe writing a thesis on this.