Massive Dynamic by Scintt, on Flickr
Kodak TMax 100
Schneider 58mm Super-Angulon, Horseman 45FA
HC-110 Dilution H @ 10mins, 24°C
Epson 3200 Perfection
Share some LF photos... Part II
- Thread starter nightwolf75
- Start date
Massive Dynamic by Scintt, on Flickr
Kodak TMax 100
Schneider 58mm Super-Angulon, Horseman 45FA
HC-110 Dilution H @ 10mins, 24°C
Epson 3200 Perfection
Paper negative shot with my Tachihara 810 / Fujinon 300mm f5.6. Papers rated at ISO6 instead of the usual ISO3. Sorry for the low res images
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Walk around Boat Quay with Speed Graflex / Nikkor 135mm f5.6w and a mixtures of Shanghai 100HC and Ilford FP4 125 plus. The pocket wizards are intended to loan to a friend. Low res images for viewing only 
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Group exhibition photos taken with Graflex Speed Graphic with Xenotar 135mm f3.5 and loaded with Shanghai 100HC and lighted with a 400 watt strobe fitted with firefly softbox.
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Lower pierce reservoir 11.05.2014
Lugging along my 810 Tachihara, Fujinon 300mm f5.6 lens to expose some darkroom papers as negatives. With the ISO of 3. The exposure is awfully long. Range from 1/4s to 8mins.
The papers were later process in darkroom as negative papers and once it is dry. It is direct contact print on a similar paper to become positive images and develop as normal.
Final product were scan just to put online to share. Preparing paper negatives can be very tricky at times. Just look at this print, lot of my finger prints and marks. Got be be a lot more careful when loading papers into film holders.
Lugging along my 810 Tachihara, Fujinon 300mm f5.6 lens to expose some darkroom papers as negatives. With the ISO of 3. The exposure is awfully long. Range from 1/4s to 8mins.
The papers were later process in darkroom as negative papers and once it is dry. It is direct contact print on a similar paper to become positive images and develop as normal.
Final product were scan just to put online to share. Preparing paper negatives can be very tricky at times. Just look at this print, lot of my finger prints and marks. Got be be a lot more careful when loading papers into film holders.
bro, you might need to trim away about 3mm from the longer side in order to slot into the holder nicely.
I already trim both side. Maybe need to trim a little at the side at an angle so that it will be easier to push into the holder... Will try the next batch...
Dakota Cresent playground
Camera: Wista field 4x5
Lens: Schneider 180mm Apo Symmar
Film: Efke IR820 Aura
Developer: D76 stock @ EI 3
Evening at Marina Barrage, Singapore
Ilford MGIV paper exposed as negative in Tachihara 810 on Fujinon 300mm f5.6 lens.
Ilford MGIV paper exposed as negative in Tachihara 810 on Fujinon 300mm f5.6 lens.
I like this Chuan!! Very "surreal" kind of look..
Paul
Paul
Evening at Marina Barrage, Singapore
Ilford MGIV paper exposed as negative in Tachihara 810 on Fujinon 300mm f5.6 lens.
8x10 Tachihara
8x10 ShangHai 100
GOERZ GOETAR 14" ( lens cap exposure 1 sec )
KODAK D-76, 1:1 ,
V700 scanned
B
Large Format outing at Commonwealth Drive 12th July 2014.
Thanks to Zguy for organising...
Graflex 45 / Xenotar 135mm f3.5 / Shanghai HC100
Thanks to Zguy for organising...
Graflex 45 / Xenotar 135mm f3.5 / Shanghai HC100
Hi Kee Choon,
Can u share the timing and temperature/agitation u used for the developer? Did u also reuse the developer with no visible degraded effect on the film?
Yo lualua,
I'm still experimenting with this developer and this is the first time I develop Shanghai 100 in this.
Temp: 21-22 degrees
Time: 5 mins in both baths
Agitation: 5 twists of agitator (Paterson tank) initial for bath A, once every 30 sec after. Hard Tap after pouring in bath B, 1 twist every min.
Water stop: 1 min with constant twisting of agitator.
Fix & wash.
The initial few sheets which was done at 4 mins seemed a little under-developed hence I increase timing to 5 mins. I find that agitation affects a lot on the outcome of the development more than timing. When I started using this developer with Double-X film, my first few rolls are way over-developed due to agitation. Cutting down time did not help and only when I tried agitating the tank much lesser and only then I get the desired results. For each different film, there is a need to experiment like any other developer.
BTTB was rated for 15 rolls max per litre of both baths. Bath A can last more than 15 but Bath B will exhaust after reaching capacity. I did at least 10 rolls on my previous litre of the developer before mixing a new litre. Changed the chemicals ratio a little so Bath A contains 80g sodium sulphite lesser than the recommended 85g for more acutance.
I'm still experimenting with this developer and this is the first time I develop Shanghai 100 in this.
Temp: 21-22 degrees
Time: 5 mins in both baths
Agitation: 5 twists of agitator (Paterson tank) initial for bath A, once every 30 sec after. Hard Tap after pouring in bath B, 1 twist every min.
Water stop: 1 min with constant twisting of agitator.
Fix & wash.
The initial few sheets which was done at 4 mins seemed a little under-developed hence I increase timing to 5 mins. I find that agitation affects a lot on the outcome of the development more than timing. When I started using this developer with Double-X film, my first few rolls are way over-developed due to agitation. Cutting down time did not help and only when I tried agitating the tank much lesser and only then I get the desired results. For each different film, there is a need to experiment like any other developer.
BTTB was rated for 15 rolls max per litre of both baths. Bath A can last more than 15 but Bath B will exhaust after reaching capacity. I did at least 10 rolls on my previous litre of the developer before mixing a new litre. Changed the chemicals ratio a little so Bath A contains 80g sodium sulphite lesser than the recommended 85g for more acutance.
Dakoata by Night it comes alive
Toyo 45AII Rodenstock 90mm 6X9 back Fuji Reala
Dakota by Jon's Album, on Flickr
Toyo 45AII Rodenstock 90mm 6X9 back Fuji Reala
Dakota by Jon's Album, on Flickr
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