Where are you? (in Photography)


daredevil123

Moderator
Staff member
Oct 25, 2005
21,667
71
48
lil red dot
#1
Sharing a very good article I've read recently. Written as a piece for professionals, I think it applies a lot to hobbyists as well. Hope this helps:


Phases To Becoming A Professional Photographer...by Steve Giralt | Home Page

I have been taking pictures for almost twenty years now and so much has changed over those years. Back then gas used to cost $1.00, Bill Clinton was president, and I was picking up a camera for the first time. I started out in high school playing with my father’s Nikon FM2 taking pictures for the school newspaper. Today, I work with a medium format digital back shooting national ad campaigns, magazine articles, and catalogs. Some aspects of how I photograph have stayed unchanged, but a great deal has changed considerably.

I feel I’m similar to many photographers in how I got my start with photography. I began just taking pictures for the sake of taking pictures. I would play around with my father’s camera trying to take pictures I thought might look good. I didn’t really have a motive; I just loved the challenge of making good pictures. By examining my progress over the years, I have come up with a list of phases or stages I feel many photographers go through when becoming professional photographers.

1. Technically Unaware – You are taking pictures without putting any technical thought into them at all. No thought is going into your composition, light, or mood. You’re taking pictures for the purpose of recording a moment, place, or event and likely with a camera phone, or point and shoot camera. Taking pictures is likely something you do out of necessity.

2. Technically Semi-Aware - You start becoming aware of the photographic process. You start thinking that maybe the picture would look better if you did something in particular like putting the camera in sports mode when taking pictures of sports, or landscape mode for landscapes. Towards the end of this phase maybe you start shooting RAW instead of Jpeg or buy a new lens other than the one that came with the camera. This is the level most amateurs are at.

3. Technically Aware - You really start thinking about the pictures you’re taking on a technical level. While photographing you think about the rule of thirds, your highlight and shadow detail, quality of light, and more. At this point you are probably using a good dslr, an off-camera flash, and a few lenses to shoot the pictures that inspire you. If studio photography is your thing, you have a few light heads and soft boxes to modify the light to look how you want it to look. You are comfortable using Photoshop or similar software to edit your pictures and make them look as you want. Maybe at this point you have taken a few photography classes or taken part in a few workshops.

4. Technically Over-Aware / Conceptually Unaware - You are making good technical photos, but you’re so concerned with the technical that you cannot get past that. When on a shoot, you are completely obsessed with what your camera settings are and check the lcd screen way too often to see if you got the shot. There is a chance you are spending way too much time on the Internet researching new gear and commenting on camera review sites. Better gear is necessary to make better photos, even though you already own good gear. You feel the world is holding you back from taking amazing images, but the reality is you’re probably the only one holding yourself back.

5. Conceptually Semi-aware - You are at the point where you have shot long enough that the technical stuff is pretty much on autopilot. You’re not thinking about the technical stuff as much as you were before, and now you can start thinking about what your pictures are saying. In a given day you are thinking more and taking pictures less. You’re spending very little time looking at new gear and more time looking for inspiration. Your pictures don’t just look beautiful; they also start to have meaning. You come into a shoot with a mental list of the shots you hope to capture and you already know how you’re going to accomplish them.

6. Conceptually Aware - You are making pictures with more sophisticated meaning which are also technically perfect. You have mastered the craft and now most every image you take has meaning or is attempting to show meaning. If you’re doing a lot of commercial work, you’re absolutely giving your opinion on how to approach the shoots your doing so that they have the most impact. Clients are hiring not only because you’re a great technical photographer but more because you come to the table with solid opinions on how to make their ideas better.

7. Technical and Conceptual Master - Chances are that now most of the pictures you take are part of something important. You don’t just take pictures to take pictures; you take pictures to tell a story, and that story has depth. Chances are you have been taking pictures now for a very long time. Generally speaking, very few photographers reach this point in their career. It can be hard working as a commercial photographer when you’re in this phase because a lot of paid work isn’t intellectually stimulating enough, so you lose interest.

This is the progression my career has taken, and also where I hope my career will end up. Honestly I think I’m currently in the conceptually semi-aware stage of my career in the process of moving to the conceptually aware phase. Plenty of photographers are happy staying in the technically aware phase since they’re most interested in getting paid while taking beautiful and technically great images than making any dramatic statements. It takes the right combination of drive, talent, and time to make it to the later phases.

It’s important to be aware of where you are in your career in order to continue to improve. The pictures you will shoot in the future will likely be better than the pictures you are shooting today as long as you continue to strive to make them better. When I look back at work I did ten years ago I am surprised at what I thought was great work at the time. As a photographer your perspective and ability to see images for what they are changes dramatically over time. Professional photography is a life-long endeavor and not one that can be mastered overnight.

What phase do you think you’re in?
 

Last edited:

Octarine

Moderator
Staff member
Jan 3, 2008
12,619
42
48
Pasir Ris
#2
Good write-up to ponder about. I feel, those steps do not necessarily form a (chrono-) logical order. I know people who start somewhere at 1 but have already something of 5. They want to progress further towards 6 but struggle to climb the steps from 2 to 3.
 

HighTone

Senior Member
Jul 4, 2011
512
0
16
Altona
#3
Thanks DD123 for the write up. really good information. :thumbsup:
 

ed9119

Moderator
Staff member
Mar 11, 2002
11,017
39
48
56
Singapore
www.walkeast.com
#4
somewhere between #5 and #6 , complacency, getting stuck in a funk and/or self-doubt are the greatest enemies .... not just in photography.... in ANYthing we undertake ....

hint: there is a difference in taking temporary shelter and refuge in a 'coffee-shop' vs living in a coffee shop almost permanently
 

Shizuma

Senior Member
Mar 19, 2012
2,557
25
0
#6
I used apple maps to find out where I was in Photography, it told me I was in the Singapore River.
 

Shizuma

Senior Member
Mar 19, 2012
2,557
25
0
#8
on a more serious note i wonder frankly if anyone has overcome the gear bug .

the source of all our headaches come from mundane expectations and desires . B B B
 

JasonB

Deregistered
Jun 2, 2009
871
9
0
#12
I don't understand any of this.

I am at D3S. Very soon I will be D4. All of you watch out. My camera is bigger than yours.

Photoshoot wise, I now join the $200 per session hotel room with angmoh meimei lingerie type.

Facebook 100 likes.

You all watch out.
 

Blur Shadow

Senior Member
Sep 17, 2005
4,886
4
0
#13
JasonB said:
I don't understand any of this.

I am at D3S. Very soon I will be D4. All of you watch out. My camera is bigger than yours.

Photoshoot wise, I now join the $200 per session hotel room with angmoh meimei lingerie type.

Facebook 100 likes.

You all watch out.
Bro. D4 is meant for private shoots lah. $200 per session no kick leh... Haha!
 

kei1309

Senior Member
Apr 12, 2010
7,321
23
38
Earth
www.facebook.com
#14
for street photography it's pretty much different. there're so many combinations for still-life on the streets, and when involving sentient lifeforms, it becomes more challenging to evoke the result you want.
 

Rashkae

Senior Member
Nov 28, 2005
19,105
12
0
#16
daredevil123 said:
Die... suddenly you will see the sales for D4 surge because of this statement. :p
I wanna buy a D4.

Dd123, you buy for me?

(Hey that rhymes)
 

Top Bottom