The "simplest" / "low requirement" method is 1 light with background roll, and 2 white foamcore reflectors.
This light is placed behind you + the camera, pointed towards the ceiling at 45° and should reflect (bounce) on your product. If there is a stand for the light then it should be raised to at least half the ceiling height for 2 purposes.
1. Maximise the intensity of light as you cannot control the spread.
2. Minimise spill of light, especially on yourself as it will create shadow on product.
Background roll should be A2 length, smallest is A3. Because you will need to place the product a ways from the background to create separation. This is the professional method, if not you can just use a smaller piece and save money. Colour you can either ask the company to choose or you choose for them. This is tricky because if they choose then they might ask you to shoot multiple colours. Or tell you to shoot 1 colour then later tell you to DI to another colour. This one I cannot advise you what to do, because the professional way is to charge as different shots. If you decide for yourself, can use white, light grey or black. White is not good, because your product is glass. It is hard to separate the edges when your light is not hitting cleanly. Light Grey is preferable, because it can turn lighter or darker depending if light is hitting it. Black is the hardest but can be most beautiful because product is made of glass. If you can 'light' the glass surfaces till there is a slight reflection then you are up there with the best product photographers. If you are not, then it will look horrible and cannot make out where the product starts & stops, only can see the award winner's name floating in mid-air.
Foamcore boards can get from Art Friend, or go rubbish bin search. They should be at least twice the size of your product. Have some white A4 paper around too. Place the reflector boards on left & right of the product. You have to watch carefully how it interacts with the light and how it affects the product, especially the edges & surfaces. This one cannot teach you, you have to see and do on the spot. Make sure the light is powerful, else very hard to see any effect. A4 paper is for reflecting the base.
You can do it in 1 shot. Or shoot multiple times changing the reflector positions each time. This one you need a very stable tripod. I advise not to use more than 1 light, as you have no experience. But if the company got someone kaypoh try to spy & learn from you. You can action action a bit, place lights all over and pretend they have an effect. This is called showmanship, also what professionals do.