rueyloon said:ya, did it again with 120, but still the black point is just too bright. very obvious when you put it beside another monitor.... :|
Match at the moment supports only a limited number of monitor via DCC (or using the digital DVI connection for the profiling software to adjust your monitor buttons for you). There is a list somewhere on the Gretag site that shows which monitors are supported now.SNAG said:Just to check, anyone managed to get DDC working with this monitor in i1 Match 3.6? Or that in the first place, it doesn't work??
freelancer said:Match at the moment supports only a limited number of monitor via DCC (or using the digital DVI connection for the profiling software to adjust your monitor buttons for you). There is a list somewhere on the Gretag site that shows which monitors are supported now.
SNAG said:Thanks for the heads-up - I thought DDC might be able to work with this monitor.
IMHO, 80cd/m2 is just nice for me, 120cd/m2 just blinds me.
knoxknocks > you will probably need a video graphic card with "dualhead capability" (ie the ATI Radeon X1600 Pro that I am using) - only then will you be able to set 2 separate profiles for the 2 graphic connectors.
The easiest way to check if your card supports dual LUTs is to check if there are 2 graphic devices (ie, X1600 Primary, X1600 Secondary) detected in the Device Manager.
As for profile loaders, you can just Windows Color Applet to load the individual profiles for each card.
hwchoy said:rueyloon, I realise the bright blackpoint is some how caused by EyeOne profiling. when you start the profile process where it deletes your existing profile, the black is REALLY black. some how after profiling and with the new profile loaded, the blackpoint is way too high.
I also tried the profiling in my graphics adaptor (nVidia FX5700) and I could not get any of the adjacent bars to merge.
hwchoy said:rueyloon, you can tell that something is not right with your blackpoint setting if you play a widescreen movie, and the top and bottom band (without movie) is brighter than the black parts of the movie itself.