Extracted from http://www.safra.org.sg
SAFRA Photographer of the Year 2002 Exhibition
Organised by SAFRA Bukit Merah and co-presented by Singapore Art Museum from 28 - 30 Mar 03, this biennial exhibition features a selection of some of the best prints from local photographers as well as winning entries of the SAFRA Photographer of the Year Competition 2002.
See you at the Glass Hall, Singapore Art Museum!
Photography Seminars
In conjunction with the SAFRA Photographer of the Year 2002 Exhibition, two complimentary Photography Seminars would be held at Singapore Art Museum from 29 to 30 Mar (admission to the Singapore Art Museum applicable).
"The World in Black and White"
By Sha Ying
Date & Time: Sat, 29 Mar, 2.00pm-3.30pm
Vneue: Singapore Art Museum's Auditorium.
Enquiries: 63773 681/2 or bmclub@safra.org.sg.
Registration: http://www.safra.org.sg/safraonline/
Documentary photographer, Sha Ying, believes that photographs are active communicative constructs of the photographer. Currently the supervising cameraman for CNBC Asia Pacific, Sha Ying has exhibited in "Facets", as part of the local Month of Photography in 2002 and "Shadows of Culture", a solo exhibition in 1999. His works can be found in various corporate and private collections internationally.
In this seminar, he will elaborate on the conceptualisation and selection process of the subjects in his works. Sha Ying will pay particular focus to and make a critical examination of the changing techniques and styles of black and white photography.
"The Photographer's Palette"
By Eric Goh
Date & Time: Sun, 30 Mar, 2.00pm-3.30pm
Venue: Singapore Art Museum's Auditorium.
Enquiries: 63773 681/2 or bmclub@safra.org.sg.
Registration: http://www.safra.org.sg/safraonline/
It is sometimes argued that colour prints, representing what can be perceived by the eye, are less impactful than the abstraction of black and white photography. Eric Goh examines and discusses the amalgamation of key elements in colour photography and the manipulation of colour interplay to create and add poignancy to the works.
Eric Goh has been ranked among the top 25 overseas photographers by the Photographic Society of America. He is regularly invited to lecture on photography and to judge at national and international competitions. He currently also serves as a Resource Panelist (Photography) for the National Arts Council.
SAFRA Photographer of the Year 2002 Exhibition
Organised by SAFRA Bukit Merah and co-presented by Singapore Art Museum from 28 - 30 Mar 03, this biennial exhibition features a selection of some of the best prints from local photographers as well as winning entries of the SAFRA Photographer of the Year Competition 2002.
See you at the Glass Hall, Singapore Art Museum!
Photography Seminars
In conjunction with the SAFRA Photographer of the Year 2002 Exhibition, two complimentary Photography Seminars would be held at Singapore Art Museum from 29 to 30 Mar (admission to the Singapore Art Museum applicable).
"The World in Black and White"
By Sha Ying
Date & Time: Sat, 29 Mar, 2.00pm-3.30pm
Vneue: Singapore Art Museum's Auditorium.
Enquiries: 63773 681/2 or bmclub@safra.org.sg.
Registration: http://www.safra.org.sg/safraonline/
Documentary photographer, Sha Ying, believes that photographs are active communicative constructs of the photographer. Currently the supervising cameraman for CNBC Asia Pacific, Sha Ying has exhibited in "Facets", as part of the local Month of Photography in 2002 and "Shadows of Culture", a solo exhibition in 1999. His works can be found in various corporate and private collections internationally.
In this seminar, he will elaborate on the conceptualisation and selection process of the subjects in his works. Sha Ying will pay particular focus to and make a critical examination of the changing techniques and styles of black and white photography.
"The Photographer's Palette"
By Eric Goh
Date & Time: Sun, 30 Mar, 2.00pm-3.30pm
Venue: Singapore Art Museum's Auditorium.
Enquiries: 63773 681/2 or bmclub@safra.org.sg.
Registration: http://www.safra.org.sg/safraonline/
It is sometimes argued that colour prints, representing what can be perceived by the eye, are less impactful than the abstraction of black and white photography. Eric Goh examines and discusses the amalgamation of key elements in colour photography and the manipulation of colour interplay to create and add poignancy to the works.
Eric Goh has been ranked among the top 25 overseas photographers by the Photographic Society of America. He is regularly invited to lecture on photography and to judge at national and international competitions. He currently also serves as a Resource Panelist (Photography) for the National Arts Council.
