UY79 said:
So how does "type of aperture where the light comes from (i'm not referring to the aperture of your lens here....)" come into the picture of purple fringing?
Hi UY....
The aperture of reference here is any surface or edge that light actually passes though first before reaching your lens. And the light sourece in reference is the type of light - light can come from back ground as:
- point source (direct)
- Diffused - direct/reflected
- Glowing diffused....
Here is an example of a photo taken with the 80-200mm - this lens gives virtually no CA in 90% of the time. However, here in the example photo, you can see that the CA portion took place on the region where "smoke diffused" light was present. The texture and surface quality of the edges of the pillars which forms the aperture also gives varying fringing characteristics (i.e its not even on the edges).
I have tested side by side Sigma 70-300APO MAcro Super II, Minolta 100-300APO, 70-210f4 and the 70-210 f4.5-5.6. Extent of CA depends greatly on these two factors - source of light + external light aperture.
So i made my conclusion based on my personal tests & experiences.
To conclude - Lens that do not exhibit CA(chromatic aberration )in a type of lighting and aperture condition may not perform similarly in another type of lighting. So unless your image is going to be blown very large - else ......stop bother too much on CA go out and shoot more...:bsmilie: . If have CA - do some correction in PS....
Okay another example.....
(image left) - On board flash
(image center) - Window light
(image right) - Ceiling bounce fill light
Rgds,
sulhan