In 2010, when I started working as a journalist in Tokyo, layoffs of newspaper photographers had reached the stage where reporters couldn't expect a decent layout unless they provided their own story art. I couldn't afford a camera, but I also couldn't afford to see my stories published without illustration, so I bought a DSLR and soon learned to hate it, or at least to hate the self-conscious way it made the people I was photographing behave.
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