Haha. True! If you can isolate equipment from the client, and product the results as desired, that is certainly ideal!
When a customer asks what equipment I use, I'll answer and try not to pick up the job.
Haha. True! If you can isolate equipment from the client, and product the results as desired, that is certainly ideal!
D3s and D7000 is not using the same sensor tech. You might as well compare D3s vs D90 to prove your point. It is more obvious that way.
But if you look at DXOMark results for D3x vs D7000, the difference is never higher than 2 stops. With the D800 and D7000, the difference is much closer to one stop for both SNR and DR.
Also the problem with relying on such "test pics" is that a lot really depends on how the pics are taken, etc. It is REALLY HARD to do an objective comparison of sensor performance. I have tried taking AB shots personally of my FX and DX cams but the difference is hard to tell apart, mainly because you have to measure both Signal and Noise. I would rather leave it to people like DXOMark and based my conclusions on that.
?? actually I can tell you are not an engineer
ok let me explain more simply. The object of discussion here is FX vs DX, aka sensor size. To do any comparisons, we should choose two cameras as identical as possible with the exception of sensor size. This is because we can safely conclude any observable difference in performance in due to FX vs DX, sensor size.
If you choose two cameras that are very different, then what is the point? Example, D3s vs D90. All you have proven is that the sensor technology in D3s is better than D90. Does that help your arguement in proving that FX is better than DX?
At no point, is TS asking about just the size of the sensor. When considering FX vs DX, the sensor technology is never the same except for the case of D800 vs D7000. Pixel pitch and difference sensor tech is inherent in all FX vs DX comparisons. You can never get away from that.
Even when we compare the D800 vs the D7000, your one stop advantage with the D800 only holds true if at 100%. The sheer resolution of the D800 image, when downsized to a D7000 image size will increase that advantage even more.
You cannot just say that we have to compare FX and DX sensors of the same pixel pitch. One of the major reasons why FX sensors have so much advantage over DX sensors is in the difference in pixel pitch. On the other hand, a camera like D800 with its obscene amount of resolution is designed to overcome the noise issue by providing so much resolution, so that in viewing the entire image, the noise is a lot smaller in relation to the entire image. So your point about comparing D800 vs D7000 also does not hold true, because on the image level, in real world usage, it is a lot more than the 1 stop. Remember, DXOmark completely ignores any advantage in resolution (DXO strongly states this in their explanations).
Haha. Ok!
Side topic: Interesting that my words and expression here can reveal the fact that I am not an engineer. Not that i aspire or am pretending to be one, but just curious, how did you know?
as the posts are deviating further and further away from the original TS' question... i decided to move the posts to a separate thread for you all to continue to argue.
and as a friendly reminder to dniwkh/alantkh - you have been banned before for needlessly picking fights/starting needless arguments with other CSers before. the admins allow you to re-register, assuming that you will behave. if you feel that you need to defend every single position (regardless of whether you are right or wrong), especially when you think the other parties are ignorant buffoons in your own expert opinion, then mebbe other more technical-minded forums might be a better place for your preferences.
Sports & action photography: Low-Light ISO
Unlike the two previous scenarios in which light is either generous (studio) or stability is assured (landscape), photojournalists and action photographers often struggle with low available light and high motion. Achieving usable image quality is often difficult when pushing ISO.
When shooting a moving scene such as a sports event, action photographers’ primary objective is to freeze the motion, giving priority to short exposure time. To compensate for the lack of exposure, they have to increase the ISO setting, which means the SNR will decrease. How far can they go while keeping decent quality? Our low-light ISO metric will tell them.
The SNR indicates how much noise is present in an image compared to the actual information (signal). The higher the SNR value, the better the image looks, because details aren't drowned by noise. SNR strength is given in dB, which is a logarithmic scale: an increase of 6 dB corresponds to doubling the SNR, which equates to half the noise for the same signal.
An SNR value of 30dB means excellent image quality. Thus low-light ISO is the highest ISO setting for a camera that allows it to achieve an SNR of 30dB while keeping a good dynamic range of 9 EVs and a color depth of 18bits.
A difference in low-light ISO of 25% represents 1/3 EV and is only slightly noticeable.
As cameras improve, low-light ISO will continuously increase, making this scale open.
I just can't "stand it" when I feel something was said is wrong. However, I just "correct" the facts, I don't attack the person. Even when I am "arguing" with Daredevil, I was polite. I never directed any comments against him as a person. I hope he was not insulted or anything.
I am the same as you. I also cannot stand it when I feel something is claimed as God's truth when I feel it is not. Remember the premise that started all these? You claim DX (or even m43) can effectively shoot any scene as well as a FX cam. I am just telling you it is not so.
I am also telling you "facts" are not as clear cut as you think they are. Maybe when you move up into management level of the engineering field you may finally understand that.
BTW, I am not insulted. I am not peeved. I am just telling you my point of view that I am not wrong as you claim. But I am not saying you are wrong either. I just choose to believe in the results I see for myself than some ratings and charts as controversial as DXOmark's. In the end I believe that the right tool for the right job is the most important. There will be some things FX will do better than DX. There will be some things a DX will be more than enough. There will even be things that a PnS will be enough too. Right tool for the right job.
as the posts are deviating further and further away from the original TS' question... i decided to move the posts to a separate thread for you all to continue to argue.
and as a friendly reminder to dniwkh/alantkh - you have been banned before for needlessly picking fights/starting needless arguments with other CSers before. the admins allow you to re-register, assuming that you will behave. if you feel that you need to defend every single position (regardless of whether you are right or wrong), especially when you think the other parties are ignorant buffoons in your own expert opinion, then mebbe other more technical-minded forums might be a better place for your preferences.
baggiolee said:FX vs DX? dun care anymore. love ur pics here.
Alan Chan said:2) to get "better" bokeh, camera should be as near to subject as possible and background as far as possible. so using the exact same lens, same focus length and same camera settings, you can go nearer to subject on FX. and please dont compare a 50mm on FX and 35mm on DX, the results wont be exactly the same.
No, you just get thinner depth of field and more background blur. Bokeh is something else entirely, and is dependent on lens design and the image composition.
i know, thats why i use "better" bokeh. i avoid being too technical for beginners, became a habit.
kei1309 said:i see people out there who use a D4 to take pictures of the same aesthetic quality a PnS beginner would take.
It would not necessarily be better. Could be worse. And saying "better bokeh" has nothing to do with thinner depth of field.
Best to teach beginners the correct terminology from the start.