DSLR Sound Recording - Seminar 2 Hrs ( Free)


sgcamerastore

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No 3 Coleman Street
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Istudio ( Academy ) Powered By sgcamerastore Present u DSLR Sound Recording


A Must for those who have always wanted better sound Quality
Expert industry will be there

come on down to this event on the

15 Seats only for Booking ( so start booking now ) a event you wont want to miss

Date : 19 th January 2013
Location - Istudio - powered by sgcamerastore
( no 3 Coleman street #02-21 Peninsula shopping center singapore 179804 )
Tel : 63362273
Fee - Free
Pls sent booking : enquiry@sgcamerastore.com
Time -2-4 pm

Free - Sponser by sgcamerastore and it partners
Session is 15 pax for registering



Important note :
First Come First Serve
Only those who received emails will be allocated slots
Indictaed your camera Model
Registering with enquiry@sgcamerastore.com



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What u will be presented

- Explanation why sound recording is important in filmography, perhaps can use a sample video of Oscar (Academy Awards) nomination in sound editing / sound mixing
- Filming with audio embedded in the camera or separate? What are the advantages?
- What will be discussed in the seminar as part of process of getting good audio for the filmography
- Presentation #1 – basic audio theory

* Audio formats (WAVE, MP3 – most popular)

* Analog audio formats – vinyl records

* Digital era (bits) – 16 bit / 24 bit - resolution

* Advantages of WAVE / MP3

* WAVE is uncompressed audio (data across frequencies are complete), MP3 is compressed audio (some data are eliminated)

* Sampling Rate importance (44.1kHz – CD quality, 48kHz, and 96kHz).

* Summary – what is good, better, and best audio formats to use



- Presentation #2 – basic audio equipment for DSLR filmography

* Microphones, Mixers, Monitors, other accessories such as boom pole, tripod, cables, portable power supplies, etc.

* Microphones types – dynamic vs condenser (with 48V phantom power)

* Be careful before purchasing microphone (shotgun boom mic, clip on, hand-held) – does it require 48V phantom power?

* Microphone – wireless or not? Advantages? Dis-advantages?

* Types of microphone pattern (XY or AB) – to take or not to take the ambience sound

* When to use clip-on mic, boom mic, or hand-held mic?

* Microphone polar pattern (shotgun, cardioids, omni) – simple explanation

* Mixers – main usage – provide 48V phantom power – easily adjust gain

* Monitors – main usage – provide the soundman a feedback for controlling the mic gain



Presentation #3 –External Sound Recording features

* Built in condenser microphone

* Adjustable pattern (XY or AB)

* Various audio format (WAV, MP3)

* Locking XLR in

* Dual mode (internal + external inputs)

* Monitoring using earphone / headphone

* SD card memory storage

* Folders can be managed easily

* the gain adjustment is using dial, easier to operate


Presentation #4 - filmography techniques

* Prepare DR-40 to be in action short skit (mock setup) – can be interview session on the spot

* Difference between having internal mic & external mic

* Process the audio straight away and playback to audience

* Prepare 1 or 2 scenarios (scripts) between 2 persons

* Demonstrate that the microphone needs to be aligned to the source of sound

* Person who holds the mic boom (or any type of mic) needs to memorize the dialog so that he / she knows when to turn the mic to the correct person

* Process the audio straight away and playback to audience

* Demonstrate the usage of wind-shield and external power supply

* Difficulties faced during shooting outdoor (with loads of ambience noise)

* One of the application where clip on mic should be use, and needs to be properly used.

* Live editing and playback
 

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