Historical background
Yves Klein was born 1936 in the South West London suburb of Barnes. The son of two week whirlwind romance between renown photographer Saint Yves Laurent and sculptor Kelvin Klein, Yves Jr grew up in an orphanage hoping to one day star as the lead in the West End musical Oliver Twist. He discovered at the tender age of 25 that, after 17 years of neverending auditions and rejection slips, that a thespian he was never going to be. Instead he turned to the booming post-Second World War market for illicit pornographic pictures. But fate dealt him a cruel twist just before he made his first million, and Yves was deported to post-Gulf War Afghanistan to make a living selling carpets and sheets of canvas.
"IKB 79" was created in the mountains of Tora Bora, two days after the departure of an infamous Bin Liner, and two hours after the completion of his previous masterpiece, "IKB 78". This marked a prolific period for Yves, who completed 80 pieces of breathtaking skill and toil ("IKB 80" was completed 90 minutes after "IKB 79") in four torrid weeks amidst the bombing of the Allied oppressors.
As illustrated in the masterpiece, in true Epson "if this were printed on an Epson you would see a crow perched on a piece of charcoal" manner, a mystical blue-winged blue-crested parrot is soaring majestically against a clear blue sky. Sad to say that as a result of massive pollution, the entire work has been coated in blue radiation, but I'm sure you can use your imagination.
Work content:
Technical qualities
Composition of the image demonstrates fluency in geometric composition and stresses heavily on the golden section, demonstrated in the placement of the parrot in the frame. (Refer to image) Lighting and exposure is excellent, the source of light on the subjects coming from the side/back produces a quality similar to paramount lighting, giving it a very dramatic appearance.
In particular I feel it worth emphasising the excellent technical quality of the canvas. The final result as shown holds rich tones, showing a very good range from the blues, to blues and blues. Details and textures are exquisitely preserved.
Aesthetic qualities
This piece of work is symbolic. It transcends the obvious, and requires the viewer to exercise his or her own interpretation of the scene. You can truly say that Yves Klein has done well to go beyond the literal to take us into another dimension in our appreciation for this piece.
If the viewer compares the canvas to the works of great modern artists during the prehistoric period (e.g. John-Poll Gawty-Eh, Dawna Curran and George Yo Armany), he or she may be able to find a number of similarities of composition to all the other brilliant masterpieces, from concentric squares, to nesting jewellery boxes, to installation art at it's best, the flicking on and off of lights being the culmination of the best the Turner price has to offer. Of course it bears great resemblance to another piece of outstanding work to which all artists should aspire to - that piece of black canvas, allegedly by the genius of Pet Mandragon.
Due to the theatrical quality of "IKB 79", expressed in the image, it is cynically beautiful and yet poignant. The sky itself holds ethereal significance in various religions, the act of looking up at a free and open sky is symbolic in many cultures of seeking freedom, and in many religions of seeking divine intervention.
Influence in media
The image itself is shocking and disturbing. It serves as a reminder of suffering, preserving the world heritage, holding historical value for future generations to learn from the past by reading images in paintings, sculpture, architecture and photography. After all it suggests that you might think that you have freedom and liberty, but compared to the blue-winged blue-crested parrot, there are so many constraints placed upon your freedom.
Summary
This piece of work has gone beyond just good technical control in the art. It also demonstrated the effective use of an image as a statement. Being sensitive to his surroundings, cultures, practices and history; together with sound technical foundation in splashing canvas with blue paint, Yves Klein has presented to us with works great work of art and questions to humanity. The role of art seen here is not merely an act of beautifying but plays a significant role in recording history and educating the society.
A good piece of work demands multi-aspects of disciplines. There should be good balance between technical skill, subject matter, and intellectual involvement and stimulation. As seen in Mr. Klein's work, his work was not only visually beautiful, it is haunting, and disturbing. His picture does not tell us about his thinking, but invited us to his experience. And this experience is indeed more descriptive than any words can describe.
Written by No One in Particular
This entire work is a figment of the imagination and all characters are entirely ficticious. The author apologises for any inconveniences caused.