Like mpenza, I will be going for kelly chan's mini-concert tomorrow at Tong Heritage Bar. Since it is a concert setting and there will be a myriad of colour lights, I intend to shoot without flash, so that the native stage colours will be preserved. Lens used will be a 80-200 f2.8.
Then it comes to film buying. There are some 800 and 1600 films out there but when it comes to what's good I have absolutely no idea. In the end decided to get a roll of press 800 and a roll of press 1600, intending to push the 800 to 1600 and then compare the results of both. But CP doesn't sell press 1600 so I ended up with a roll of superia 1600, and of course a roll of press 800. Did I make any foolish move here?
And also, when I push press 800 to 1600, I just ask the lab to push one stop as what I do for slides right? I intend to develop at Konota, do they do negative pushing?
Sorry for the questions, first time shooting under such conditions so don't want to screw up. THanks in advance!
Then it comes to film buying. There are some 800 and 1600 films out there but when it comes to what's good I have absolutely no idea. In the end decided to get a roll of press 800 and a roll of press 1600, intending to push the 800 to 1600 and then compare the results of both. But CP doesn't sell press 1600 so I ended up with a roll of superia 1600, and of course a roll of press 800. Did I make any foolish move here?
And also, when I push press 800 to 1600, I just ask the lab to push one stop as what I do for slides right? I intend to develop at Konota, do they do negative pushing?
Sorry for the questions, first time shooting under such conditions so don't want to screw up. THanks in advance!