![]() |
|
|
#1 |
|
Senior Member
Join Date: Apr 2003
Location: Land Downunder
Posts: 2,069
|
Hi CSers,
Just like to know if you guys/gals use the Active D-lighting feature on your D3x/D3/D700/D300/D90/D60. We all know how it works, but I am sure not all of us are convinced of it's usefulness, at least not in all situations. If you do use Active D-Lighting, what are the situations where you feel it is most useful? If you don't use Active D-Lighting, why not? Any other general comments, tips or tricks you want to share regarding the use of Active D-lighting? Thank you all. ![]() |
|
|
|
|
#2 |
|
Senior Member
Join Date: Feb 2003
Location: Somewhere Out There
Posts: 2,260
|
To me, D-Lighting would almost be completely useless if you know what is equivalent exposure and how to properly use the histogram.
|
|
|
|
|
#3 |
|
Member
Join Date: Oct 2007
Posts: 549
|
more noise, more artifacting, but prevents you from blowing your highlights. also, less contrast.
some scenes look much better without active-d lighting. but if i were shooting an event, i'd leave it on. if IQ is topmost concern, i'd shoot raw or leave it off. raw allows you to turn it off later on if you have capture NX
__________________
http://www.facebook.com/album.php?ai...9&l=8ea073cc13 |
|
|
| Sponsored Link |
|
|
#4 |
|
Member
Join Date: Feb 2008
Posts: 294
|
If I shoot in bright sunlight.. I leave is on with iso at 100 or 200.
If for indoor which iso goes up to 1600-6400.. I will leave it off. Cos it will intro more noise and beats the purpose.
__________________
Nikon D700 |
|
|
|
|
#5 |
|
Member
Join Date: Mar 2004
Location: West Coast
Posts: 581
|
Active D-lighting tunes down the highlights and brighten up the shadows. Hence I find that contrast is decreased after you enabled Active D-lighting. Sometimes, the shadow parts suffer from noticable noise.
Basically, it's the same as "Highlight & Shadow" function in Photoshop except you can have better control when using Photoshop. Normally I set off unless I want to have direct photo printing using PictBridge or lazy with any post-process |
|
|
|
|
#6 |
|
Member
Join Date: Jan 2009
Posts: 472
|
Hi All,
I considered myself still new to the world of digital photography and am still tyring to come to terms with all the technology in using a dslr camera. I understand from the manual that Active D-Lighting will "brighten" the subject if the subject is under some form of shadow, eg standing under a tree on a sunny day. However, I tested out with and without Active D-Lighting (set to Auto) and both picture looks the same, the subject is still quite "dark". Any advise ? Thanks ![]() |
|
|
|
|
#7 |
|
Member
Join Date: Feb 2006
Posts: 1,487
|
i used the D-Lighting during "off line", means after shoot edit at camera and NX2
|
|
|
|
|
#8 |
|
Member
Join Date: Jul 2008
Posts: 1,000
|
Active D Lighting is a great tool for the casual camera users, the JPG only shooters, and the photographers who deal with large number of files and probably do not have the time or need to process RAW files, think reportage/photojournalists who need to deliver pics same day or the next day, or think about something like casual family photos without need to satisfy demanding clients or suffer critics.
When I tried out my friend's D90 recently, I was very impressed by the Active D Lighting, looking at the histograms, I consistently get a 'mountain' even in high contrast scenes. I was thinking, this is magic, such tech. But of course the histogram is just based on 8 bit sRGB JPG's not the real RAW capture. Back in Lightroom, the real histograms shows up and its back to the 'valleys' again. I had the Active D Lighting settings set to Low. The reason is because with any other settings on, ADL tend to cause matrix metering to underexpose so as to protect the highlights. While it looks great on the 8bit sRGB JPG, but your picture is actually underexposed in reality in the true RAW capture. This is bad, since serious RAW shooters would know we should strive to expose to the right. Casual shooters and JPG only shooters would not bother about this issue so no problem (at least to them). Also to note, on another prominent photography forum, it was suggested that ADL actually affects RAW capture right at the sensor level on a pixel by pixel basis. I do not think its true. If so Nikon would call these HDR cameras and it would be revolutionary. Last edited by sjackal; 31st March 2009 at 10:58 AM. |
|
|
|
|
#9 |
|
Senior Member
Join Date: Apr 2003
Location: Land Downunder
Posts: 2,069
|
Hmmm.....I have previously learned that the only things that affect the RAW capture are ISO and exposure (shutter speed/Aperture). They may be saying that ADL causes slight underexposure, and thus, the RAW file is affected. Are they saying that the RAW capture itself is improved due to ADL? I'd love to read those discussions.
|
|
|
|
|
#10 |
|
Member
Join Date: Oct 2007
Location: Toa Payoh
Posts: 1,344
|
i totally do not use Active D-lighting. I call it the "Image Killer". Introduces way too much artifacts into my images for my liking, be it bright or in the shadows.
I rather do the necessary adjustments in photoshop. I can retain the IQ as much as possible to my liking. But if you are an event shooter that catches 1000s of images a day, then this is not a good option for you, PP-ing every photo. But if you are a professional shooter, I would believe you would have gained enough experience shooting to have turned pro..... |
|
|
|
|
#11 |
|
Member
Join Date: Aug 2007
Posts: 1,356
|
hmnnn, i dont use it.but its a great tool
__________________
they just keep on copying it...!! whitewall industry |
|
|
|
|
#12 | ||
|
Member
Join Date: Jul 2008
Posts: 1,000
|
http://www.clubsnap.com/forums/showthread.php?t=444154 Post #6 by tanhb At low settings, no exposure changes is made, with flash used, a -1/3 stop is made. That is why its good to use low, so it won't affect your raw file. A -1/3 stop for flash is reasonable, since at close range flash easily blows highlights even with a small bounce card. |
||
|
|
|
|
#13 |
|
Member
Join Date: Jul 2004
Location: Singapore
Posts: 272
|
I've got it turned off normally. In the event I need to recover detail in a shot, that's when I turn to Photoshop.
__________________
Nikon D300+MBD10+SB600|18-55|50|70-210 Sigma 10-20|24-60|18-250|150 Mac|190CXPRO3+488RC2+Bazooka! |
|
|
|
|
#14 |
|
Member
Join Date: Jan 2009
Posts: 110
|
For me I always leave active d-lighting on cos I'm one who always shoot in JPG cos I dislike doing PP as I like my photos "as they are".
I adjust my exposure to cater to real-time lighting conditions. ![]() maybe one fine day I'll learn the benefits of RAW then maybe I'll convert...
__________________
D90 | 18-105mm f3.5-5.6 | 50mm f1.8 | 70-300mm f4-5.6 | 90mm f2.8 Macro | 530 DG ST | Raynox DCR250 |
|
|
|
|
#15 | |
|
Senior Member
Join Date: Nov 2004
Posts: 11,574
|
|
|
|
|
|
|
#16 |
|
Member
Join Date: Nov 2007
Location: West Side
Posts: 272
|
Haha from what i heard ADL helps to save details in brightly exposed pictures.
So what is the verdict for using ADL,Lets say we will process the photos. -RAW format: ADL, On/Off? -JPEG format: ADL, On/Off? ![]() |
|
|
|
|
#17 |
|
Member
Join Date: Apr 2006
Location: CCK
Posts: 1,065
|
I listened to KRW and left it on Normal when I first got my D300 - it did very strange things to the colour of the photos. Fortunately since CF cards are cheap and shot only RAW+JPG and managed to salvaged the shots.
A week ago I ended up with an extremely high contrast situation and didn't have my SB-900 with me to fill in the shadows, had to use built-in flash to do that, dial in low ISO. Worked fine - like a few said good for some situation. But horrors - I forgot to dial it out and didn't realize it until I finished a photo shot this morning - it was truly wonderful how my colour went south .... So now it is confirmed - I will ask Nikon can I get rid of Active D-Lighting from the firmware so the same mistake of leaving it on won't be made again, and KRW is not to be trusted. I hate ADL. Fortunately there is still RAW to salvage the situation, but imagine the number of hours behind PS to salvage.... Last edited by diediealsomustdive; 5th April 2009 at 01:12 PM. |
|
|
|
|
#18 |
|
Member
Join Date: Nov 2004
Location: Singapore
Posts: 289
|
Active D-Lighting is a very convenient way to maintain details in both the highlights and the shadows when you shoot in situations where contrast is very high, e.g. when shooting scenes where some portions are extremely bright while some portions are very dark. What Active D-Lighting does is that it 'compressed' the exposure 'RANGE' so you don't have 'burn out' or 'detail-less shadows'. Processing time may be a little longer in some situations. I think this is a really convenient feature that Nikon and built into the current range of DSLRs. I am shooting with a D3 and will still use Active D-Lighting when I shoot scenes that have high/wide contrast range, i.e. the bright areas are very bright, the dark areas are very dark, and yet I want details in both.
Experiment and learn. Happy shooting. Fred |
|
|
|
|
#19 |
|
Member
Join Date: Sep 2008
Location: Dargaard Keep
Posts: 349
|
I leave this on even though I apply heavy post processing to my photos.
From my experience, it is most useful in backlit situations.
__________________
| Nikon D700; AF-S 14-24 f/2.8GED; AF 20 f/2.8D; AF 50 f/1.4D; SB400| Tamron AF 28-75 f/2.8 A09NII| |
|
|
|
|
#20 |
|
Member
Join Date: Apr 2006
Location: CCK
Posts: 1,065
|
I find that it gives predictable results only in extremely high contrast situations. High contrast still ok, but when you manage your contrast range through fill flash, reflectors, etc, it is very unpredictable.
The software should have an algorithm to determine the contrast range and dial it out when it doesn't meet the criteria, i.e. auto shut-off. To me I am going to keep it OFF unless I have no other way of managing the contrast and die die must use ADL. And will make it a point to switch it back off. And die die must shot raw. Still much better to use a graduated ND, or use fill flash - at least I know what the outcome is going to be. ADL gives strange colour, especially skin tones, when not used during high contrast scene. |
|
|
![]() |
| Bookmarks |
| Thread Tools | |
|