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Four Thirds Standard (4/3 and m43) Four Thirds and Micro Four Thirds Discussions


 
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Old 21st March 2009   #1
diCam
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Join Date: Sep 2003
Location: East of Sg
Posts: 708
Default PMA 2009 Interview: Olympus

It's an informative interview conducted by DP Review.

PMA 2009 Interview: Olympus

Quote:
When you look at the scores of questions we've got and the hundreds of daily posts on the forums there are a few themes that turn up again and again, and one of the biggest is the need for reassurance about your commitment to Four Thirds since the arrival of MFT, which we spoke about at Photokina. I think there's still some concern about resources being diverted to MFT and away from the main system. I mean there's little evidence for it; you're bringing out new FT cameras all the time, but there's still and undercurrent of concern that their investment in this system will at some point be wasted.

MAG: I think that there is a basic understanding which we have to set, which is that there are not two separate worlds for investing in Micro Four Thirds and then investing in Four Thirds, actually it is all Four Thirds to us. Therefore, part of our investment in the Four Thirds system itself, is the Micro Four Thirds development. There is a good reason for the order of our development roadmap. We announced the Micro Four Thirds extension in August 2008, then we launched the E-30 and now the E-620 FT cameras.

A benefit of the development for both Four Thirds and Micro Four Thirds can be seen in the new image stabilization system that we are using in the E-620 which is 20% smaller. We will surely also see a similar type of mechanism in the Micro Four Thirds product. I think that any fear from our loyal customers will disappear because for us, it’s not ‘here’ or ‘there’ – we are utilizing resources from the development of both of our systems. This is similar to the way many of the innovative technologies from the E-3 found their way back into other E-series cameras. This will also happen between both Four Thirds and Micro Four Thirds: it’s not one of the other.

AW: Many of the components used in FT models can be also used in MFT bodies. The sensor - and getting the image from the sensor is a big use of resources - and also the image stabilizer can be used for both, so we don't think it's 'split'. Of course some modification is needed for MFT bodies and FT bodies, we're confident we can develop both at the same rate as before.
Quote:
Now that professional cameras are increasingly moving towards full frame is the pro market an area you're still actively looking to participate in?

HH: Can I just make a 'marketing' comment on that first before the business and technical guys answer. Where does the term full frame come from? Full frame is 35mm which is half of the cinema film used in Kodak projectors. The question is 'where is the quality satisfied?' From our perspective, it's a subject of a market-orientated quality which has to be delivered; whether this is quality of the picture in general, or its pixels inside, which I don't think is a mark of quality. So this is an issue of talking about the format, which fulfills the market standard rather than 'full frame'.
Quote:
I think part of the problem is that you launched the FT system with a professional camera and so the perception was initially that this was a system aimed at professionals. I guess the main question is whether you're working on an E-3 successor or whether you are now concentrating on cameras like this (the E-620)?

MAG: The reason we launched with the E-1 all those years ago was a decision taken in Japan. There are many ways to enter - or re-enter - a market, as we did in 2003 after 15 years out of it, and still I believe that this was the best way for us to get back into the market. And again there will always be professionals - and not in small numbers - who apply common sense. There is a lot of common sense and rational decisions being made amongst the professional photographers and many can come up with a good reason why an Olympus professional camera is the right choice. Moreover, for the FT system, for Olympus, the E-3 as a professional camera has a lot of meaning. You're right that this camera (the E-620) is what FT is all about, but most probably without the E-3 we wouldn't have this. I think this is very important for your readers to understand.
Quote:
Is there an optimum pixel count for Four Thirds sensors with current technology?

AW: Theoretically there is no limit, but we have no intention to compete with other manufacturers in terms of pixel count alone. I think the current 12 megapixel point is a very good one, covering most applications, so we're not placing a priority on pixel count at the moment. We'd rather concentrate on other features.

So how do you compete at a retail level when everyone else is offering, say 15 or 20 million pixels next year? What are you going to be offering - and will it be enough - to make people choose Olympus given that most consumers don't understand that they don't actually need the extra pixels? Are features like the Art Filters and small form factor going to be the Olympus differentiators?

JK: I think not only features but the image quality is becoming more apparent. A few years ago people buying computers only looked at megahertz, or how many gigahertz, and so on. Today, even though that perception is still there to some degree, it's no longer the main selling or purchasing feature for that type of product. It’s becoming apparent at both the retail counter and for the customer, that with digital cameras, more megapixels doesn’t necessarily mean better image quality.
Quote:
Of course the problem is that it's quite easy for any other manufacturer to watch what you're doing and just say 'oh right, that works, I'll put that on my camera', so your window of opportunity may not be that big.

MAG: Of course; art filters, multi aspect, multi exposure, wireless flash; there are many things that you can do with our cameras and they could be copied by other manufacturers. As in the past, features like built-in dust reduction, digital specific lenses and full live view have been copied by other manufacturers after first being introduced by Olympus, What is important is that a manufacturer leads as opposed to follows.

HH: The FT system is the only system that allows for a MFT system . There is no other system that does it, and I think the combination of an SLR with the technology and features possible with MFT - which they may want later; to combine these two things will make a unique proposal to users; for FT as well as MFT.

Last edited by diCam; 21st March 2009 at 11:20 AM.
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