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| Four Thirds Standard (4/3 and m43) Four Thirds and Micro Four Thirds Discussions |
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#1 |
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Join Date: Dec 2004
Location: 22° 11' N, 113° 33' E
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I found this thread on DPReview very useful, it clearly illustrates the difference in bokeh rendering between a full frame and a 4/3 camera, maybe can help newcomers to 4/3 understand the difference in f stops in 4/3 compared to full frame.
http://forums.dpreview.com/forums/re...ssage=28373201 We all know that the 4/3 have more depth of field... the photographer in the thread just further shows (or proof, if you may) that 25mm f/2.8 on a 4/3 is equal to 50mm f/1.4 on a full frame...
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#2 | |
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Join Date: Apr 2006
Location: central
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it should be that the DOF of the ZD25/2.8 @ f2.8 is equal to the Canon50/1.4 @ f5.6.
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#4 | |
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haven't had the chance to use a 1.4 yet, but i do get some misses with the ZD50/2 with the small viewfinder.
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#5 |
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Join Date: Apr 2004
Location: Singapore
Posts: 77
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If it's difficult to use f2 and f1.4 lens on 4/3, won't it be more difficult to do so on a full frame? If you want more Depth, you can always stop down...
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#6 | |
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Join Date: Dec 2004
Location: 22° 11' N, 113° 33' E
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#7 |
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Senior Member
Join Date: Apr 2005
Location: 270 degree of Singapore
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so in term of depth of field, and viewing area
4/3 25mm f/2.8 = APS-C 33.33mm f/4.0 = FF 50mm f/5.6 ?
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#8 |
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Join Date: Apr 2006
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yup. looks right.
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#9 |
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Senior Member
Join Date: Mar 2006
Location: Europe, Sweden, outside Lund
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Why is that? I have both an f/2 and an f/1.4 lens and use them both wide open if I have to, but I see no problem or difficulty.
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#11 |
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Senior Member
Join Date: Mar 2006
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Sure, at f/5.6 the DOF is larger than at f/1.4. But there is no difference if the camera is a 4/3 or an FF, in both cases you must watch out and be more careful at large apertures. With an FF the DOF is actually even thinner and you must be even more careful.
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#12 | |
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Join Date: Oct 2005
Location: Toronto, Canada
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In FourThirds photography it's actually harder to do due to the smaller sensor...it's one of the reasons why many portrait shooters prefer medium or large film format cameras to even 135/35mm (the so-called full frame) cameras. |
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#13 | |
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Join Date: Feb 2005
Location: singapore
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#14 |
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Join Date: Feb 2008
Location: Sengkang
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I think a small DOF can be a benefit or negative, depending on your needs.
If a large DOF is what you want, using a PnS with small sensor would give the largest DoF at the cost of higher noise. Full-frame or APS sensor will have a much shallower DOF at the same EFL and aperture, which is useful to isolate object from the background. To get a deeper DOF, will have to use a much smaller aperture which mean you would need to reduce the shutter speed significantly, which may cause blurring. But, larger sensor also means you can use a higher ISO to increase the shutter speed. The DOF of the four-thirds will be in between a PnS and a full-frame, which in my opinion works just nicely in most cases. ![]() |
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#15 |
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Join Date: Feb 2004
Posts: 884
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The additional DoF is a welcome for macro shots.
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#16 |
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Deregistered
Join Date: Aug 2007
Posts: 714
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The original TS in DPR was actually commenting on the "bokeh".
Is bokeh and DOF related? I mean, I have seen really different bokeh effects from dissimilar lenses but similar specs, e.g. Nikkor E 50mm/1.8 and AF Nikkor 50/1.8. |
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#17 | |
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#18 |
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#19 |
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Senior Member
Join Date: Mar 2006
Location: Europe, Sweden, outside Lund
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Nope. 25mm f/2.8 is 50 mm f/5.6 on a 35 mm camera like the D3.
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#20 |
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Join Date: Mar 2006
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Bokeh is not something you can measure, but of course, as DOF decreases so does even bokeh since it is the way the OOF area is presented. You said it already, two Nikkor lenses with the same focal length and aperture can indeed show different bokeh. Bokeh is created by the way the aperture baldes are formed and the number of them. Also the way the lens is constructed has something to do with it.
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