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| Four Thirds Standard (4/3 and m43) Four Thirds and Micro Four Thirds Discussions |
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#1 |
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Deregistered
Join Date: Mar 2004
Posts: 2,929
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with all the new excitement over the new announcement of full frame nikon, I am thinking hard about whether olympus decision to go small sensor is the correct one.
The sensor technology did not improve as much as I had hoped. Currently my setup for my travel pictures is E330 with 11-22mm + E510 with 40-150mm The problem with this is I can't get full body portrait shots with small DOF. example ![]() The fence is the background is rather distracting.... So I am thinking of getting E330 + 11-22, E510 + 50mm f2 Currently this cost like 2k for bodies, 1.7k for lens. $3.7k If I go for the canon 5D + 24-105mm f4 IS cost ard $5k I have almost as wide, same DOF at 100mm f4, but best of all and most impt of all I have ONE BODY and ONE LENS which is so impt for travelling. And also very impt is I get better dynamic range, probably 2 stops better (making standard assumptions). For low light shooting, the ISO adv of the canon 5D is canceled by the wider aperture of the zuiko lens. Currently, the canon 5D does not have live view so I am not so tempted. But this is most likely to change when the new 5D is released next year. Last edited by wind30; 28th August 2007 at 10:21 AM. |
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#2 |
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Join Date: Aug 2005
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Why do you need 2 bodies?
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#3 |
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Join Date: Jun 2007
Location: Western Singapore
Posts: 2,167
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I also don't get the difference between a full frame and 4/3 sensor,isn't the 4/3 sensor a fully digital sensor that shows a full frame from fully digital lens?
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#4 | |
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Join Date: Nov 2003
Posts: 3,456
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#5 |
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Member
Join Date: May 2007
Location: No dust, no auto focus area
Posts: 803
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They should really call it 35mm film frame instead of full frame since it would be more precise. Full frame depends on the system. Medium format are also full frame systems as long as everything is matched properly. It's only the compromise of trying to attach 35mm film lenses to a body with an incorrectly-sized sensor that you get a cropped frame.
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#6 |
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Member
Join Date: Oct 2003
Posts: 1,798
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wait for "5d II", it'll come with 14bit sensor & dust buster feature. the 24-105 is an F4 lens, u'll need F2.8 (24-70) or bigger (50 F1.2) to achieve what u wanted (fence in bkgnd blurred).
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#7 |
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Member
Join Date: Nov 2003
Location: Sg
Posts: 692
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even with full frame, to get full body shots with a thin DOF they have to shoot from pretty far away de and use a long focal length
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#8 |
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Senior Member
Join Date: Sep 2004
Location: Punggol
Posts: 10,781
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for full length shot with that kind of distance, what kind of lens can throw the fence out of focus?
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#9 |
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Member
Join Date: Oct 2005
Location: Toronto, Canada
Posts: 1,460
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35mm/135 users think they are the be-all and end-all, and any other format doesn't matter!
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#10 | |
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Senior Member
Join Date: Nov 2002
Posts: 4,483
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I assume that the pic is taken using 11-22. ![]() BTW you focus seems to be on the fence, if you have less DOF, you subject would be more OOF. ![]()
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#11 | |
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Join Date: Sep 2004
Location: Punggol
Posts: 10,781
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perhaps try 800mm lens, on a 1.5x DSLR, stand far far far far far away and shoot. |
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#12 | |
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#13 |
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Join Date: Apr 2005
Location: 270 degree of Singapore
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with the half size sensor, very wide angle and the subject stand far away, it's really difficult to get blur background
. How about a FF camera with wide angle plus manually front focus a bit, just enough to keep the subject sharp, but background a bit blur, feasible?
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Sony Alpha 700 hobbyist Last edited by zcf; 28th August 2007 at 12:39 PM. |
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#14 |
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You could do the same on just about any DSLR.
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#15 | |
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#16 |
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Location: 270 degree of Singapore
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but the smaller sensor size will tend to create a large depth of view.
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#17 | |
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#18 |
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Join Date: Aug 2005
Posts: 3,690
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See, the problem here is that the TS ain't just looking for full body shot... it's a full body shot WITH an entire forest.
I'm not sure if there is a practical solution around this (note: using an 800mm IS NOT practical! ).
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#19 |
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FourThirds sensors have two stops more DOF as compared to 35mmFF.
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#20 | |
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