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#1 |
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Member
Join Date: May 2003
Posts: 820
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For wedding: Only Church + Reception. (Morning)
Which would be a better choice of lens to use with Flash? ![]() 17-55 F2.8 IS or 24-105 L F4 IS |
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#2 |
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Member
Join Date: Jan 2006
Posts: 54
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I would go with the 17-55 F2.8.
Also it depends on the ambient light of the church. Some churches have the warm cosy lighting which you want to exploit by using low shutter and large apertures even though you have a flash. I prefer to use the flash only as a fill-flash... |
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#3 |
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Member
Join Date: Sep 2006
Posts: 169
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I would choose 17-55 if i can go up close to shoot the couple, some pastor will give you instruction as not to stand too near to the couple as the audience wanted to witness the on going process,without the photographer blocking their view.
if you wanted the 24-205, my advice to you is to shoot with flash. |
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#4 |
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Member
Join Date: Mar 2006
Location: Tanah Merah
Posts: 606
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I'm assuming you are using a 1.6x crop body cos of the EF-S option.
If you're going to take any group shots, better get the 17-55. You'll need the wider angle. It's safer than using the 24-105 to realise that you cannot go wide enough. |
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#5 |
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Member
Join Date: Dec 2003
Posts: 765
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5D use 24-105mm
30D use 17-85mm IS or get the Tamron 18-200mm. If not blowing up the photos. |
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#6 |
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Member
Join Date: May 2007
Posts: 413
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just a question a bit out of topic,
which lense do you guys normally use for such occasion? |
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#7 |
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Member/Tangshooter
Join Date: Jan 2007
Location: Punggol 21
Posts: 1,606
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#8 |
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Senior Member
Join Date: Apr 2002
Posts: 13,880
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First of all, which camera body are you using?
Secondly, have you checked out the church to see how lighted is the environment? |
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#9 |
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Senior Member
Join Date: May 2006
Location: In God's Top Ten
Posts: 2,249
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As part of the nature of this assignment where there should be no slip-up... You ought to take the responsibility to visit the location prior to the event. As USM has mentioned, check out the lighting... how wide or tight is the location. Scout good locations for the group or single portraits...
Come on. This is a big day for the couple. Do it right.
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#10 |
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Member
Join Date: May 2003
Posts: 820
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#11 |
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Member
Join Date: Mar 2006
Location: Tanah Merah
Posts: 606
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Actually, I would advise not to use flash. Churches are generally pretty well lit (compared to ballrooms), so using ambient light would produce good results I feel...
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#12 | |
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Senior Member
Join Date: Apr 2002
Posts: 13,880
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The main difference between these 2 lenses is in terms of f-stop. Having said that, EF-S 17-85mm has an advantage of extra 15mm which can be quite useful especially in a tightly crop situation. All 3 lenses have IS incorporated which is a plus point when the lighting is not so good. As you have mentioned that the church's ceiling is very high, so bounce flash cannot be used, so using flash gadgets such as the Lightsphere, Lumiquest Pocket Bouncer, etc is recommended. Do take note that some priests/pastors do not wish to be flashed during the ceremony, so it would be better for you to ask first before hand. If cannot use flash, then a fast lens is necessary. However, you can still use flash in the receiption area. You may want to have a combination of non-flash and flash images. |
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#13 | |||
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New Member
Join Date: May 2004
Location: Jurong West
Posts: 37
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Can I assume you already recce the actual room of the church for the ceremony cos some mega churches do ve smaller rooms instead of the 2000 seater hall. Any light reflector would be useful since u cannot bounce off from the high ceiling. Usually for such event, I would do a photojournalistic approach...thus go for 24-105 L F4 IS for the matrimony ceremony. 1. Close range for effective use of your reflector up to 3-4m for a 30-50+ flash guide. 2. Its long end for capturing details of the witnessing relatives and friends. Unless you only wanna shoot the couple, pastor, ring, candle, the ribena, the bread at close range. ![]() But bring the 17-55 F2.8 IS for the group photo at the reception. Always bring backups...lens, lots of batteries, memory cards, another side camera. Given that its interior is dark brown that speaks of low scattering light, so a flash is a must la, dun need to ask rocket scientist. Most pastor are v understanding to allow flash, unless they wanna to held accountable for the poor quality photo that will be the haunting topic. But learn not to flash the light directly at people too, so as not to overstay your welcome. ![]() In short learn to be discerning when using flash.
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Never talk to strangers, just shoot and show the world you ve shot them.;) |
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#14 | |
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Member
Join Date: Dec 2005
Location: East area
Posts: 712
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Best is bring the flash along but most pro you will use it
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Canon 50D with L Lens Dream to hold a 5D mark II |
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#15 | |
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Member
Join Date: Mar 2007
Posts: 1,457
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17-85 if on a budget else the 17-55 IS.... nothing beats a 2.8 when shooting moving targets indoors.. plus you would want a 2.8 for the shallow dof to shoot the couples' wedding rings, bouquets... u know things that you normally see in ppls' wedding portfolio... |
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#16 |
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Member
Join Date: Jan 2006
Posts: 54
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Actually, think pple will be more interested with that thing you have on your flash. hahaha...
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#17 | |
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New Member
Join Date: May 2004
Location: Jurong West
Posts: 37
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....Beside your 20D's 1.6x factor should make the 24-105 long enough for most reach less Night Safari...hee.
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Never talk to strangers, just shoot and show the world you ve shot them.;) |
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#18 |
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Senior Member
Join Date: Feb 2006
Posts: 2,688
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Do consider which focal length work best for you. I have covered church wedding with just 24-105, 580EX and 30D. The church is big and I don't have problem moving back to compensate the 24mm end. But a longer zoom is essential... 55mm is abit too wide. Also, I usually use f4 or f5.6 and flash is allowed in the church. However, if you are in HDB for tea pouring.. 17-55 works better. My experience with 24-105 is that, the videographer overtakes you when you have to move back
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#19 |
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Member
Join Date: Dec 2004
Posts: 507
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I have used the 17-55 F2.8 IS on the 30D for church shoots. Works great, esp if you do not want to carry a few primes.
Works better than the 24-105 F4 obviously for the church. The key issue is low light environment, getting a wider aperture lens will make a diff. Do not sacrifice the F2.8 aperture for a little of range for the church shoot. You can walk around to get your shot. No point taking long-range blurred photos. Are you going to use a flash? I understand some churches strictly forbids flash photography. Even when it is allowed, if you start flashing your way through the ceremony, it is bound to disturb or even annoy the audience to a small extent somehow. It can be quite distracting. So to me doing away with flash take the attention from the photographer and allow more flexibility. Allows me to work unobstructively and "blend in". It was unnerving previously when I started shooting away with the former 20D (the shutter sound is loud and distinct) and flash during the ceremony, it was TOO "intrusive" for me. And if you need flash, you prob would need to turn up the ISO anyway otherwise may end up with "dark" backgrounds. Most churches are big places and flash is insufficient to light up the background. The flash is more impt for formal family/ friends group shots. Another way I do if I have to use the flash for "fill-in". If I have to use it when it is slightly darker, I reduce the flash outout -1 to capture the facial features and maintain my wide aperture and higher ISO, to avoid the notorious "flash-out" look and "dark" backgrounds - tats a pain to edit For a reasonably litted church with the 30D and 17-55 F2.8 (even better, with primes) you can use iso 800 or even 1600 at F2.8 without much issues, and the IS will come in very useful - people dun move around alot during the solemn church ceremony. Centre point focusing in low light seem more responsive with the 2.8. Any darker, u have to go primes or resort to flash. Even then the 17-55 works great with flash too doesn't it? And in response to the previous post, instead of getting th 24-105 and 17-55, I suggest getting a 17-55 F2.8 IS and a 70-200 F4 IS will be more useful at the same price point. Go for the 17-55 imho, it will serve you well in church. Even better, go primes; try to keep a prime as a backup eg 50 1.8 if you can : )Last edited by Yoke; 3rd August 2007 at 05:02 PM. |
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#20 |
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Member
Join Date: May 2007
Posts: 133
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i shoot wedding with my 17-55 IS
i recommend this.
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Canon EOS 400D | 10-22 | 17-55 | 24-105 | 50 | 70-300 | 100 | 430EX | 580EX Panasonic Lumix FZ50 |
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