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| Digital Darkroom Digital Imaging Workflow tips & techniques. |
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#1 |
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Member
Join Date: Mar 2004
Location: Tampines SG
Posts: 1,441
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i found that the exposure and color of the shoots taken and preview from the lcd from DSLR is good.but when it comes to printout directly from my printers,injet and dye sub;it looks so yellowish.
Pls help can we get what we see from the laptop to print exactly the same??? ![]() |
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#2 | |
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Member
Join Date: Sep 2006
Location: Hougang
Posts: 542
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Canon 40D: EF 24-105 L f/4 IS: Speedlite 580 EX II |
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#3 |
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Member
Join Date: Mar 2004
Location: Tampines SG
Posts: 1,441
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pls advice on how!!!!!help!!!!!!!go to control panel,click on gamma,that all i know,than select what???pls advcie
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#4 |
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Member
Join Date: Mar 2004
Location: Tampines SG
Posts: 1,441
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hi,is it the add profile association???too many to chose from,which one,pls advcie
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#5 |
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Member
Join Date: Mar 2004
Location: Tampines SG
Posts: 1,441
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i found that the exposure and color of the shoots taken and preview from the lcd from DSLR and laptop is good.but when it comes to printout directly from my printers,injet and dye sub;it looks so yellowish[no color correction made].
Pls help can we get what we see from the laptop to print exactly the same??? |
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#6 |
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Senior Member
Join Date: Jan 2004
Location: Singapore
Posts: 5,451
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get a screen calibrator.
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the SEARCH FUNCTION is there for a reason. USE IT! |
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#7 | |
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Senior Member
Join Date: Feb 2005
Location: East
Posts: 10,952
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#8 | |
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Senior Member
Join Date: Nov 2005
Location: Singapore
Posts: 8,273
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#9 |
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Member
Join Date: Oct 2004
Location: Pioneer
Posts: 1,392
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I wish I could get the 30D's screen calibrated although I'm more or less used to it in the field.
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#10 | |
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Senior Member
Join Date: Jun 2003
Location: Singapore, Bedok
Posts: 1,801
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You can profile your printer with a colorimeter. You'd need to make one profile for each type of paper, for each printer and ink set. Cathay sells the Colourvision PrintFixPro, a basic colorimeter set, about $1.2k. The profiling process is quite tedious, but somewhat accurate. A simpler (ie cheaper) solution would be to adjust the printer settings to increase the blue if all prints are consistently too yellow. It's a bit of hit and run, and would require wasting a bit of paper and ink in the beginning until you get it just right. Messing with the blue-yellow channel might turn your whites and grays bluish/yellowish though. |
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#11 | |
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Deregistered
Join Date: Oct 2003
Location: Paris, France
Posts: 204
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If you want them to be exactly the same, you'll have to calibrate *both* the printer and screen with calibration device(s) from Gretag Macbeth or Colorvision. Otherwise, it's pretty tricky, I finally bought one after years of trying to calibrate it by adjusting color in photoshop or the printer settings. Do a search on the forums, lots of folks have asked this important question. Best Wesley |
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#12 |
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Member
Join Date: Feb 2003
Location: In the void.
Posts: 1,215
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Add-on to the posts above,
Your digital photos will be RGB, while your deskjets/ dyesub are in CMYK, so if you really want accurate colours, you will have to convert your colour mode in Photoshop to CMYK first or else the printer will be doing the conversion for you. However this has limitations since your computer monitor outputs in RGB pixels too. To make a simple comparision using the method described by ST1100 above, just use a small photo (a portrait if you shoot people more often), make duplicates of the photo, then apply different incremental amounts of blue ( 5%, 10%, 15% etc etc). And then print all of them on the same piece of paper to reduce the amount of paper needed. A more accurate way will be adjusting the amount of the individual ink colours ( if you have already converted to CYMK). This is a bit harder, since most people are not familar with how CYMK inks interacts. |
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#13 | |
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Member
Join Date: Mar 2004
Location: Tampines SG
Posts: 1,441
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#14 |
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Senior Member
Join Date: Jan 2006
Location: Dreamy Nikon Land
Posts: 2,782
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Depends. I would rather change the profile of the printer. Unless you want to live with Blue-er screen (in this case) for all your other applications in the computer.
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#15 | |
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New Member
Join Date: Apr 2006
Posts: 37
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Even if you calibrate ur printer, u will also have to calibrate the diff. types of paper u use to print individually. If u are using Photoshop for example, you can try to print from there (open using photoshop)instead of using you printer's driver. It may help. Also some printers have an auto correct function where they post process your image...u can try turning this off... it may also help.... Good Luck.... |
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#16 |
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Senior Member
Join Date: May 2005
Posts: 1,807
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like what buganeal said, check to see if any autoenhance features are on... switch them off if they are on...
profiling the screen is good to see if the screen is putting up the right colours... it might be the screen that is off, not the printers... do not print with CMYK files... desktop inkjets and dyesubs work with RGB files... the inks might be in CMYK with additions and stuff but the files they work with are RGB... unless you use specialised programs called RIPs (rastor image processing) that take over the control of the conversion process from the printers, we just have to trust the printer to do the conversion... I doubt photoshop does this... you can profile the printer though, but like buganeal mentioned, you would have to do it for every paper, also with every ink change... but if a particular print is critical, you could rent a profiler or hire someone to do it for you |
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#17 |
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Member
Join Date: Mar 2004
Location: Tampines SG
Posts: 1,441
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wa lau a......................sooooo troublesome.
Any chances to leave the printer alone without adjusting the color profile ......will it works if i get the screen calibrated ,as long as the screen is caliba=rated,the printout should be the same as the screen,maynot be 100% but 95%? From than,i could adjust the color and brightness from the screen by using photoshop etc. CORRECT ME IF IAM WRONG.NEED MORE ADVICE. |
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#18 | |
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Member
Join Date: Aug 2006
Posts: 67
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__________________
Nikon D3, AF-S 24-70mm f/2.8 G ED, AF-S VR 70-200mm f/2.8G IF-ED and Speedlight SB-800 |
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#19 |
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Member
Join Date: Aug 2006
Posts: 67
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Read what Apple said, in "RGB versus CMYK" column :
http://docs.info.apple.com/article.html?artnum=302821 I met a Pro photog who insisted that inkjets printer are CMYK becos' there are Cyan(C), Magenta(M), Yellow(Y) and Black(K) inks........ and he have many years experience than me...... and he is Pro, I'm not...haha.. what a joker. In that case, we are better off buying a four colours inkjet printer. Read this also: http://www.xrite.com/product_overvie...SupportID=3981 If you want to print CMYK profile with inkjet..... you need a RIP program.
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Nikon D3, AF-S 24-70mm f/2.8 G ED, AF-S VR 70-200mm f/2.8G IF-ED and Speedlight SB-800 |
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#20 |
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Member
Join Date: Feb 2003
Location: In the void.
Posts: 1,215
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I do know that inkjet printers takes and process RGB data, but you are still using CMYK inks as your output, which means your printout will still be limited by the CMYK gamut. There's no way you can compare your CYMK printout to a display on your RGB monitor and hope to adjust to get close colours. That's why I suggest changing the colour mode to CMYK on screen so that the display will be closer to your prints. Maybe my sentence structure was bad, but I didn't mean anything about printing out in CYMK profile.
Though I don't know why you are laughing so much. If you know the pro-photographer is wrong, then why don't you try your best to convince him instead of calling him a joker? It just sound smug. |
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