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#1 |
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Member
Join Date: Jan 2003
Location: Jurong
Posts: 443
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Is EOS 30's partial metering accurate enough to read tricky light situation like snow, no or small area of middle tone background.Will it be fool by e lighting.
If not,what is e potential and purpose of having it.Pls give example.Do i hav to get a gray card or incident/reflected light meter?Thanks ![]() |
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#2 |
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Member
Join Date: Jan 2003
Location: Jurong
Posts: 443
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No response???
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#3 | |
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Member
Join Date: Oct 2002
Location: In the Shepherd's hands
Posts: 676
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1: what is a meter for? usually, the 'standard' subject is a grey card. so the meter will try to reproduce a grey card in the same shade. i think a grey card will help if you place it in the right position, within the partial metering area. 2: partial metering allows you to meter a small area in the viewfinder. so it can still be fooled by snow (it can't tell whether it's white or grey). you can use a grey card, or compensate +1 to +2 without. |
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#4 | |
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Moderator
Join Date: Jan 2002
Location: Snoopyland
Posts: 3,185
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The purpose of spot/partial meter is just that: to meter the reflected light at that spot, and by knowing that the meter will tell you a grey tone exposure, work from there and compensate it for the exposure you want. (Note: this technique does not apply to matrix/evaluative metering, as in this case it is unpredictable how the meter will evaluate the entire scene. You'll just have to trust it, or use spot/partial metering to do it yourself). If you are interested, read John Shaw's books. He gave very detailed explanation on how this is done. Btw, I'm not a canon user either. Hope that helps. ![]() Last edited by ziploc; 27th February 2003 at 05:02 PM. |
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#5 |
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Member
Join Date: Jan 2003
Location: Jurong
Posts: 443
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Thank you.
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#6 | |
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Senior Member
Join Date: Nov 2002
Location: $ingapore
Posts: 2,535
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Does this apply for a beach setting where you have light reflecting from sands and water ? U then have to over-compensate by 1 or 1.5 stop ?
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#7 |
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Moderator
Join Date: Jan 2002
Location: Snoopyland
Posts: 3,185
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Dry sand is probably slightly brighter then grey tone, so I would guess a compensation of +0.5 to +1.5 ev compensation as you mentioned (also depends on how "white" the sand is and how "white" you want it to look). Wet sand is about at grey tone. Again this is provided you are refering to spot metering and is metering off the sand. Also note that you'll need to lock the AE before you recompose.
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