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#1 |
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Senior Member
Join Date: May 2005
Posts: 4,450
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whenver i open a pic taken by my d200 on adobe cs2,
it shows me this... "the document has an embedded color profile that does not match the curretn RGB working space. embedded sRGB IEC61966-2.1 working adobe RGB (1998) wat would you like to do? 1)use the embedded profile 2)convert document colors to the working space 3)discard the embeded profile" so, which option should i choose and may i know why is there such a message? thanks for your patience.i'm a newbie to photoshop CS and my d200 |
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#2 |
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Member
Join Date: Dec 2003
Posts: 174
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Basically, it's a colour space mismatch. Under the colour management settings in PS CS, set the working colour space to sRGB to match the colour space your camera is using. Colour management is not on by default, so I assume you know where the settings screen is since you've turned it on.
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#3 | |
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Senior Member
Join Date: Nov 2005
Location: Singapore
Posts: 8,273
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however, i suggest that if you want to print them, change your camera setting to adobe RGB (1998) and avoid the profile change in CS. p.s. i dun use CS, i use elements who dun force me to change the profile, but i do make selection before saving. |
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#4 | |
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Senior Member
Join Date: May 2005
Posts: 4,450
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so adobe RGB on camera and computer is the way to go right? thanks ![]() |
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#5 |
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Senior Member
Join Date: Dec 2005
Location: Singapore
Posts: 4,282
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Some photolabs still request that you convert it to sRGB for printing though. Check with the one you frequent
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#6 |
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Senior Member
Join Date: May 2005
Posts: 4,450
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#7 |
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Member
Join Date: Jan 2002
Location: Western SG
Posts: 1,507
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2 school of thought:
1) shoot AdobeRGB and work in AdobeRGB space in Photoshop CS. (do your own inkjet printing and hope future have better printers/monitors that can handle close to AdobeRGB.) 2) shoot sRGB and work in sRGB space in Photoshop CS (what you see is what you get, and most photo labs either ignore your embedded profile or print close to sRGB space, eg like frontier 570 have bigger greens than sRGB.) Soon you might encounter the "Jpeg vs Raw" workflow.... ![]() |
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#8 |
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Member
Join Date: Aug 2004
Location: www.whltelightphotographer.com
Posts: 1,659
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No ber No ber. If you think print photos is more important set colour space to Adobe RGB (1998). Because it have a wider Garmut (Or colour range). But check with photo lab can are they also using the same colour profile. If you only want to see photo on the computer screen and think web presentation or usage is more important then go with sRGB. sRGB also can print one. Main thing you want to uniform your colour profile, so you can predic how you colour will come out as time go by. The expert call it "colour management" and yes there devices can help you to do that. But they are expensive.
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#9 | |
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Member
Join Date: Apr 2005
Posts: 1,767
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After reading, you will understand why there is such a message pop up to alert you and know which option to choose according to your needs. Only you will know what you need. Different people have different needs and that's why there are options for people to choose. To disable this color profile mismatch alert in CS2, go to edit/colour settings..... to untick this alert option. Alternatively, change your working space profile to match your camera RGB. ..... depending on your needs. Last edited by Clockunder; 10th October 2006 at 05:58 PM. |
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#10 |
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Senior Member
Join Date: Nov 2005
Location: Singapore
Posts: 8,273
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eh. i think so. frankly speaking, i'm still blur about a lot of things even from the basic. despite of moving on for 1 year, shot some decent pictures that i feel ok with, i feel that i'm still blur about many things. perhaps one day i really need a physics text on lens and photography to help fix my unresolving perplexity.
in the meanwhile, just move on and shoot, and listen to the loudest advice you heard until magically you managed to understand it through your own experience. |
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#11 |
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Moderator
Join Date: Mar 2003
Posts: 2,815
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my advice is convert, edit and save at first using adobeRGB because of the gamut.
when going to print, if you have the profile of your printer, turn on the soft proofing option in photoshop then do final color adjustment for printing. then save the adjusted image as another copy for printing at that specific printer only. |
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#12 |
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Senior Member
Join Date: May 2005
Posts: 4,450
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thanks all for the advice.
i'll stick to sRGB to match my camera. ![]() |
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#13 |
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Member
Join Date: Oct 2005
Location: Hillview
Posts: 441
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Hi,
I also have the same question but mostly already answered in the thread. Embedded: sRGB IEC61966-2.1 Working: adobe RGB (1998) What would you like to do? 1)use the embedded profile 2)convert document colors to the working space 3)discard the embeded profile If we select (1) - it will be sRGB. If we select (2) - it will convert to adobe RGB (1998) What if we select (3)??? |
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#14 | |
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Member
Join Date: Apr 2005
Posts: 1,767
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Last edited by Clockunder; 12th October 2006 at 10:30 AM. |
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#15 |
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Senior Member
Join Date: Nov 2005
Location: Singapore
Posts: 8,273
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so what does that means actually? widest color gamut?
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#16 |
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Member
Join Date: Apr 2005
Posts: 1,767
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This is sometihng which I'm not sure too but I presume that it means it will be worked with watever color settings specified for working space in photoshop when it's opened and if there is no alert set for missing color profile or displayed using the default color profile of the device.
Last edited by Clockunder; 12th October 2006 at 11:46 AM. |
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#17 |
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Member
Join Date: Apr 2006
Location: CCK
Posts: 1,064
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Bad choice. Go get your D200 manual and find out how to set the camera to Adobe RGB. Not difficult to do this.
Work in Adobe RGB for most of your work, and when you want to post it for web, or send to lab for printing, convert to sRGB. Bottom line, if you work in sRGB and then later come back to Adobe RGB, you've lost the additional Gamut (range of colour) given by Adobe RGB. The other way round, you discard only at the end product point, not at the point of shooting. What's gone is gone, forever. If you don't need it, don't want it, or the printer can't do it, discard it later. At least you'll have the option. |
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#18 |
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Senior Member
Join Date: May 2005
Posts: 4,450
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ok, so i set to adobe RGB on my d200 and adobe photoshop cs2.
then how i convert the pics i've touched up to sRGB for printing?i hope i dont sound stupid. ![]() |
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