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#1 |
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Member
Join Date: Apr 2006
Posts: 80
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Dear pros,
I am just a hobbiest but have developed a liking for Event shot. I love the capture the moment or should i say "THAT MOMENT". Hence, could some kind soul please share with me or whoever that are also interested in my thread. I know there have been lots of discussion on this. But then again, i hope to start this thread again for the benefit of hobbiest like myself. Thank you for your valuable advise. Your guidance is greatly appreciated. Cheers ![]() |
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#2 |
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Member
Join Date: Oct 2005
Posts: 873
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it really depends on what events you're talking about.
if it's outdoors, i'll confirm choose something long, like a 70-300. but if it's indoors, maybe something at 18-50 / 17-40 / 24-70 that range will be good? =)
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#3 |
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Member
Join Date: Apr 2006
Posts: 80
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Cool, thank you sir.
Certainly would listen to your advice. Cheers |
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#4 |
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Member
Join Date: Aug 2006
Posts: 927
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you can start with a 70-200 f2.8 to take indoor event of low lightings. pretty good for capturing facial expressions. a 50mm prime will be good too. very fast and allows amazing shutter speed even at very low light conditions!
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random equipment. where are my primes? |
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#5 | |
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Member
Join Date: Apr 2006
Posts: 80
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I do own a 70 - 200 but kind of hard to shot. Very close up at time. But then again, i will try my best to shot from far. Will try my best for great picture. Cheers |
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#6 | |
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Member
Join Date: Jun 2006
Location: Singapore
Posts: 987
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#7 |
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Senior Member
Join Date: Jan 2004
Location: Singapore
Posts: 5,453
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mobility...how do you set up a tripod during a event, unless there's a lot of space? even so, are you going to be staying at one spot all the time just to capture that "one shot"?
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#8 |
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Member
Join Date: Aug 2005
Location: Planet Earth
Posts: 142
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24-70 f2.8.
Personally using a cropped body myself, this lens covers most of my event shoots. Can achieve quite a decent amt of bokeh, and 2.8's just a plus when it comes to low light non flash events - Orchestra playing in a concert hall for eg. Agree with the 70-200 f2.8, have it in my lens case all the time, just change when you need the extra reach, else most of the time, the 24-70 stays on my body. |
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#9 |
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Member
Join Date: Apr 2006
Location: HOME, duh...
Posts: 492
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When I want the moment, I'm usually armed with my 70-200IS if the situation allows. If not, I pray to God for divine help.
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#10 |
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Member
Join Date: Jan 2002
Location: Apex Circle
Posts: 1,360
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what sort of events are u shooting?
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#11 |
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Member
Join Date: Jun 2006
Location: Singapore
Posts: 987
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Hmm, he just wants that moment, so maybe he has seen the dry-runs and knows what he is looking out for. So just camp with tripod =)
"mustdoit"... yeah live up to your nick man ![]() |
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#12 |
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Member
Join Date: Mar 2006
Posts: 1,273
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theres a million kind of events...
outdoor sporting events - the long fast primes are king. for indoor sporting events, its the big aperture primes that rule.. e.g. the now discontinued 200mm 1.8, the 135L etc. there is no 1 lens that can cover all of these... so better for you to say what kind of events exactly you like to shoot. |
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#13 |
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Senior Member
Join Date: Jul 2004
Location: YCK
Posts: 2,457
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If flash is allowed, 28-300 IS allows the range, used it recently with LS2, nice natural shots, dial RAW when need to have a little insurance for the more important shots...in all 95% sharp (but not neccessary good pictures - in terms of composition)..a little on the heavy side, but using the right straps do help.
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#14 |
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Member
Join Date: Sep 2004
Location: South East Asia
Posts: 1,202
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17-40mm for very big group shoot.
24-70mm use it almost 90%. 70-200mm, pop it in just case need to use it. A 580Ex flash head and a Quantum battery pack should be sufficient for the event. Happy shooting. |
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#15 |
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Member
Join Date: Jun 2006
Posts: 184
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hi i was like wondering if 420ex can do the job ?
if cannot what are it`s disadvantages ? thanks in-advance. ![]() Last edited by yuframes; 5th September 2006 at 07:06 PM. |
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#16 | |
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Senior Member
Join Date: Jan 2005
Location: Hougang
Posts: 11,828
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Disadvantage only no manual settings as it's a fully auto flash, but gd enough for most situations.
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Canon EOS 5D w/BG-E4, 50 f/1.2 L, 580EX II. Sigma 12-24 f/4.5-5.6, 70-300 f/4-5.6 APO. |
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#17 |
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Member
Join Date: Dec 2004
Posts: 354
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a lot of you guys use the 24-70. how about the 24-105? that has more range and has IS as well even tho it's f4. wouldn't that be a good lens to use for events as well?
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#18 | |
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Senior Member
Join Date: Jan 2005
Location: Hougang
Posts: 11,828
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__________________
Canon EOS 5D w/BG-E4, 50 f/1.2 L, 580EX II. Sigma 12-24 f/4.5-5.6, 70-300 f/4-5.6 APO. |
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#19 |
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Senior Member
Join Date: Jun 2002
Location: here
Posts: 3,752
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this is my trademark, the lens you use depends not on any of the replies here but yourself, you got to use the lenses and determine what is good for you. Everyone can recomand a lens, its up to you to keep trying and find out if its a good lens.
some use big zoom lenses, others are put off by the weight, some prefer to compose with primes, some use 2-3 cameras fitted with different lenses to shoot. Its all up to you at the end of the day. First before asking anyone, ask yourself, what kind of shooter are you, primes or zooms or mixed? what weight would you want to carry during your coverage? how many cameras you are using? if you have no idea what you want, go buy a cheap zoom lens as a starter, as cheap as possible, and go shoot! Once you start facing your own problems like not enough reach, too heavy, not big enough aperture, you start to develop your own lens usage, once you master your own likes/dislike you need not need advice of this type often.
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#20 |
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Senior Member
Join Date: Jul 2006
Location: Clementi
Posts: 10,476
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I totally agree. No two photographers are identical.
We all have our own styles. Some of us like ultra wide, some like super tele, some like the simple build of primes, some like the versatility of zooms. There's no hard and fast rule when it comes to lens selection. If you have been shooting for a while, look at the EXIF data of your shots and find out what aperture and focal length you have been shooting at the most. That's a good place to start looking: lenses that can accomodate the aperture and focal length that you have been shooting at frequently. The idea is, a lens that works for a million and three photographers may not work for you. Just my two cents. Cheers. |
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