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#1 |
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Member
Join Date: Apr 2006
Location: Singapore, Ang Mo Kio
Posts: 357
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Hello, okay, now I know I want an Olympus, but how shall I do it?
I am getting my very first DSLR, should I get an E-1 or E-500 (or any other models?) currently, there are 6 ways I can get it, E-1 body for $850 (2nd hand) E-1 body for $900 (2nd hand) E-1 body + 14-45mm lens for $900 (2nd hand) E-500 body + 14-45mm lens for $1200 (2nd hand) E-500 body + 14-45mm and 40-150mm lens for $1600 (new) E-500 body + 14-45mm for $1450 (new) On top of those, I still wish to get a ZD18-180mm lens for about $750 (unless I find 2nd hand) My total budget is about 2000, to get EVERYTHING I need for say, the next 5 years. ![]() I am now using a Camedia 750 UZ, and I take mostly architecture photos of all sorts(ametur) please please, give some advice, I am quite ignorant here, and want something suitable for myself, and value for money. Would really appreciate any help at all!
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www.clifftan.com Last edited by Cliffy; 9th May 2006 at 07:37 AM. |
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#2 |
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Member
Join Date: Nov 2005
Posts: 345
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You should ask yourself what type of photography you would be shooting. Write the list down then see which setup would be best for your needs.
E.g. For me: 1) I shoot 70% outdoors. Hence weatherproof is a feature that is more important to me. 2) I dont really need the extra 3MP. Sure it would be nice but not a must have. I can live a 5MP for now. 3) I needed a focuing screen with grid lines, so it had to be the E-1. 4) I like the idea of having firewire and USB 2 ports. In some shooting situations of mine, it may not be good to open the CF card door, hence having a faster transfer is better. So E-1 was my obvious choice. I had to choose between the E-1 & E-300 then. If I gotten the E-300 I would have save a few hundred dollars and had 2 lens with 2 batteries and a vertical grip plus 2 x 1GB CF cards. Great but it still wouldn't have met my photography requirements. One more thing, hold both bodies in your hands and decide which one gives you a better feel. Caution with 2nd hand E-1s, the rubber grip may come loose around the IR port after extensive usage. I have seen a few such cases at the 2nd hand dealer stores. Last edited by VR Man; 9th May 2006 at 12:43 AM. |
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#3 | |
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Member
Join Date: Jun 2004
Posts: 544
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If you are getting 18-180mm I don't think you need the 14-45mm for your
architecture shoot. E-1 is great for value as it is a Pro model even it is old. Go www.dpreview.com to check out detail of E-1 and see till now why people still like E-1. E-330 with live preview but price is too high now. Guess E500 seems to be the best choice. More advance in electronic compared to E1 but also slightly more expensive Suggest you first go down to a shop to try out both model with the 18-180mm attached. The feel, size and weight will also help you to decide. I see that you got nice shots with your C-750 and I am sure you have no problem getting nice shots with either the E-1 or E-500. You will need to get a better tripod as these dSLR are much heavy. Also a dry cabinet to keep your equipment. So 1 possible way is ~$850 (E1)+$750 (18-180) + ~$80 (CF) + ~$100 (Dry Cab) + ~$150 (Tripod) = ~$1930 Next good luck on your pursuit to wide angle lens <try the 11-22>
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#4 | |
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Senior Member
Join Date: Mar 2006
Location: Europe, Sweden, outside Lund
Posts: 2,038
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Fungus is bad, but the risks are minimal, anyway most of the time you wouldn't even notice. It will take many years to grow anyway. However it is Cliffy, E-1 is too old technology, I think you'll be disappointed, specially considering you are talking about 5-year budget, meaning you won't get a new camera in about two years time. I vote on E-500 new, not a second hand, unless you know who had it before you and you trust his/her way of handling the camera. That goes for whichever second hand camera you decide on also. E-500 is very good, inspite the fact that it is made in China, it feels like made in Japan. And the big and clear display is really big and clearly visible in bright sunlight. There are many things on the plus side for this cam, even if there are some negative sides also. As I said before, if you can wait, wait for the follower of E-1, get the body and one lense if you only can afford one. Then you have a camera worth having and save money for more lenses. |
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#5 |
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Member
Join Date: Oct 2005
Location: East
Posts: 959
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I would get this : E-500 body + 14-45mm for $1450 plus the 18-180mm lens.....
![]() Slightly off budget, but you'll have a peace of mind..... ![]() Or E-500 body + 14-45mm and 40-150mm lens for $1600 If budget's really tight. For first purchase, I feel that getting a first hand is better. Last edited by Stanly; 9th May 2006 at 05:57 AM. |
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#6 |
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Senior Member
Join Date: Dec 2005
Location: Cyberspace
Posts: 3,033
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E500 + 14-54mm.
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#7 |
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Member
Join Date: Jan 2006
Location: NOMU
Posts: 892
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cliff, ready for dslr!! COOL.....
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#8 | |
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Deregistered
Join Date: Aug 2004
Location: In A Suitcase
Posts: 700
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Last edited by plastic; 9th May 2006 at 11:06 AM. |
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#9 |
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Moderator
Join Date: Aug 2005
Posts: 3,690
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If it's mostly architectural, I'd suggest you'd give the 18-180mm a miss. It is not wide enough neither is it very bright (f3.5-5.6). I use it when:
1. I don't know what to expect; 2. I'm outdoors; 3. I'm too lazy to carry anything else out and still want telephoto range Snapshot for snapshot, the 18-180mm cannot outshoot the 11-22mm nor the 14-54mm. 14-54mm is nice, but hey, break the bank and get the 11-22mm AND the 50-200mm I've got my bank broken many times this year already. ![]() But if you DIE DIE have to stick with the budget, get the 14-54mm. |
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#10 |
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Senior Member
Join Date: Jan 2005
Location: Land of the Vegetables
Posts: 2,958
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Start saving up for the 11-22mm Zuiko if you are into architectural shots. It makes a great deal of difference when you need the wide angle. And the price is reasonable too, for the quality you get.
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#11 |
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Member
Join Date: Apr 2006
Location: Singapore, Ang Mo Kio
Posts: 357
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Can I handle the E-1? or is it better I get the "prosumer" E-500?
My architectural shots are usually thight crops, so zoom is important to me as well.(too bad I don't have several thousand to spare for a tele, hehe) btw, thanks for all the advice! Now I'm as blur as a sotong, but a happy sotong. haha ![]() Keep them comming! Now it boils down to $900 for E-1 + 14-45mm lens or 1600 for E-500 + 14-45mm & 40-150mm lens next time I shall ask about the lenses, lol.
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www.clifftan.com Last edited by Cliffy; 9th May 2006 at 11:37 AM. |
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#12 |
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Senior Member
Join Date: Nov 2003
Posts: 3,465
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For architextural shots, go for the E-330 Architecture Pro Kit
....Olympus E-330 Architecture Pro Kit The special photographic demands of architects represent a particularly tough challenge for photo equipment. But with the Architecture Pro Kit, these are perfectly met – in professional quality. The kit includes the E-330 body, the splash proof ZUIKO DIGITAL ED 7-14mm 1:4.0 and ZUIKO DIGITAL 14-54mm 1:2.8-3.5 lenses, FL-50 external flash and SBC 1 E System Bag Compact. With an angle of view right up to 114°, and a minimum working distance of merely 10cm, the ZUIKO DIGITAL ED 7 14mm (35mm equivalent focal length: 14-28mm) deserves special mention in this setup. It offers architects extraordinary freedom to capture their subjects with a bright 1:4.0 fixed aperture and also allows for exaggerated perspectives. This is capped-off with the E-330’s Live Preview capabilities and multi-angle LCD which lets compositions be easily framed from low on the ground or above the head, for example, without the photographer needing to contort the body to look through the viewfinder. The second zoom lens assures a greater shooting range and the FL-50 external flash provides pro-level power with a Guide Number of 50, ensuring that lighting is never in short supply. Or at least the 7-14mm lens if you are not interested in the E-330. And the 50-200mm for the tightly cropped shots. ![]()
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#13 |
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Member
Join Date: Apr 2006
Location: Singapore, Ang Mo Kio
Posts: 357
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gosh, sounds expensive.
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#14 |
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Senior Member
Join Date: Nov 2003
Posts: 3,465
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Could be... depending on the depth of your pocket and the intensity of your passion.
But with Olympus, you can be assured that you would get the quality that you pay for. The 7-14mm is the cheapest of the Super High Grade lenses and has no equivalent under any other brands as far as ultra-wide angle zooms are concerned. It is therefore really not that expensive if you take that into consideration. Then again because it is so wide, it is really a specialist lens and could be difficult to use for normal shooting unless you go for creative composition and architectural shots. ![]()
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#15 |
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Member
Join Date: Apr 2006
Location: Singapore, Ang Mo Kio
Posts: 357
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actually its alright I guess, less than 3k, nothing compared to 11k!!
*cliff digging his piggy bank* haha, I guess I'll think about lenses once I get the body(hopefully soon!)
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#16 | |
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Senior Member
Join Date: Mar 2006
Location: Europe, Sweden, outside Lund
Posts: 2,038
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BTW, even E-1 people must carry the same package to de-humidify theirs after lense change. Not that I understand how to do that, once the lense is on, the camera is weather proof, meaning hunidity can not get into the camera, but it can not get out either. So, they have to dismount the lense again, put it in the dry box with lense on the side. Big problem, how to take pictures with SLR, assuming changing lense, without letting some humidity enter the camera. I remember this kind of discussions among the photographers back in the 1970s also. Then it was about how to save films from humidity when you are out in the wilderness, claiming fungus will grow and eat your silver grains. Well, I still have all my thousands of negatives and slides left, both B/W and color, not one is thrown out due to fungus or humidity. Sorry for the long answer, finishing off with: I may be wrong, I have never been to Singapore, I have to take your word for it. |
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#17 | |
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Senior Member
Join Date: Mar 2006
Location: Europe, Sweden, outside Lund
Posts: 2,038
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The best advise you get is from tomcat, get the Olympus E-330 Architecture Pro Kit. And it is a good offer too, he knows your budget, you give him the money you have, he gives you the Olympus E-330 Architecture Pro Kit and pays the diff. Very good business for you, you will never regret. Even if I personally don't like the E-330, I am certain it is a good camera. Not so shore it is a good business for tomcat. ![]() |
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#18 | |
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Member
Join Date: Nov 2005
Posts: 115
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Hi Cliffy, E1 + 14-45mm will be recommended....feel the balance....esp in the future if you wanna get the batt grip or so top lenses.....its perfectly balanced...its a class by itself...E-500 is too light for mine choice....it makes every top pro lenses mounted on feel less balanced....by the way who is selling the E-1..? miss the offer at courts.... i was on the queue...sianz....can pm me the nick? ![]() |
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#19 | |
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Member
Join Date: Jun 2004
Posts: 544
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Sounds like you are relaxing your budgetary control. In that case I couldn't agree more
with Tomcat's recommendation. You will definitely feel very at home with the live preview of the E-330 coming from the C-750 ![]() Your pictures are nice and the wide angle lens will definitely give you a whole new perspective. The plus point is with that combination, it should probably can cover your lust for the next 5 years... (only heaven know what other juicy thing Oly is rolling out in the next 5 years that you can resists...) Enjoy your shopping...
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#20 | |
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Member
Join Date: Apr 2006
Location: Singapore, Ang Mo Kio
Posts: 357
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