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#1 |
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Member
Join Date: Feb 2006
Posts: 959
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Hi all
Recently I attended a short course on basic photography. In the class of nine, I was the only film, the others were DSLR's. (right, this is not the point, but crucial to the story )(please feel free to correct me.) In the FM2, my objective is to make the LED meter in my viewfinder go to 0 right? In the DSLR, they get a reading of 0, but they will compensate to a +1 if they get a white flower against a green bush. Must I do the same? Meaning I will do a +1 as well? If I do not do a +1, will I underexpose my shot?
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#2 |
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Senior Member
Join Date: Sep 2004
Location: Beyond Space-Time Continuum
Posts: 5,921
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dslr will compensate and darken the picture to prevent overexposure, so in their case they will +1 to compensate for the camera.
no need for film as the camera does not do that.
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#3 |
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Member
Join Date: Oct 2003
Location: Northern part of Singapore
Posts: 156
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There are other factors to consider as well.
The FM2 metering is center weighed while the DSLR has options of spot, center weighed and Matrix. Say if the DSLR is at center weighed - your above is correct. Do note that film has a better latitude for exposure. I am not sure if the exposure reading for the D70 Manual metering mode and Aperture metering mode will come up to be the same but I remember that for the D70 at Aperture mode, we usually increase the exposure compensation by +0.3/+0.7. My D50 exposure reading at both Manual metering and Aperture is the same. |
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#4 |
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Senior Member
Join Date: Mar 2002
Location: Astin Studio
Posts: 4,724
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I would think that any course on "basic photography" would teach on exposure. Isn't that the basic of ANY photography?
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#5 | |
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Member
Join Date: Feb 2006
Posts: 959
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For film, so long as i meter it till i get the 0, i am right, correct?
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#6 | |
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Moderator
Join Date: Dec 2003
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#7 |
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Senior Member
Join Date: Jul 2004
Posts: 3,091
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There are some fundamentals in making an image.
One of the most important is making a correct exposure. I agree 100% with Astin that a basic course should cover this adequately. It may not be the fault of the teachers. There are many reasons why an attendee may not understand the fundamentals of exposure. I appears to me that you have a major problem with understanding exposure. Please go back to your instructors, and hopefully they can explain making exposures to you again. |
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#8 |
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Senior Member
Join Date: Mar 2002
Location: Astin Studio
Posts: 4,724
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The FM2 metering (ie automatic exposure) is centre weighted average metering, so if u shoot a white flower against a green (ie darken) background, the metering will average out and will suggest a aperture setting to "overexposure" the white flower and "correct exposure" for the background. U will then need to "compensate" the automatic exposure by manually over-ride to -1, so then u will "correct exposure" the white flower and "under exposure" for the background.
(It is not easy for beginner to shoot a bright subject in front of a dark background, find some subject and some background to have similar brightness to practise with.) |
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#9 |
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Member
Join Date: Feb 2006
Posts: 959
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Awww..come on.
you guys have not answered my question. for eg, pointing my lens directly at the light would give me a + sign. for me to correctly expose that shot, i would have to put it to a 0 right? in the DSLR, it would show 0, and you would have to +1 correct?
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#10 |
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Member
Join Date: Oct 2003
Location: Northern part of Singapore
Posts: 156
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Keep it simple. If the FM2 is pointed onto a grey card - the exposure setting (aperture or shutter or both) should be adjusted to '0'.
(Don't worry abt the DSLR, it should be at '0' as well). |
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#11 | |
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Senior Member
Join Date: Nov 2004
Posts: 11,574
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I don't see why DSLR they will need to compensate if matrix metering is used unless you're shooting against a white sky. Or if they had used spot, they should meter on something which they want to be a midtone under that same lighting condition. Same for your FM2. Why meter on the flower if you don't want the flower to be in the midtone? |
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#12 | |
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Senior Member
Join Date: Nov 2004
Posts: 11,574
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#13 | |
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Senior Member
Join Date: Nov 2004
Posts: 11,574
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The biggest problem with reflected light meters is that you as a user has to determine what you want as a midtone, then you meter that region. With an incident light meter, you don't care because it's just measuring the amount of light that is falling on the object. If it's reflecting a lot, you will get the object brighter on the film or sensor. If it's dark, then it should turn out dark also. Maybe you can make use of an incident light meter and compare it with the reading from the camera for several regions and see which one has a closer match to the incident light meter. Then you will know how the camera computes the exposure. |
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#14 | |
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Senior Member
Join Date: Nov 2004
Posts: 11,574
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#15 | |
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New Member
Join Date: Nov 2005
Posts: 35
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Try and experiment for yourself and I hope you have lots of fun doing so! |
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#16 | |
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Senior Member
Join Date: Aug 2003
Location: I live in a haunted house!!!!!
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wow./// Films/././ its been a long time!! anyway, for film, it's more ideal to over-expose for a better result. if i still remember, i used to slightly under expose for slides, around 1/2 a stop(the good old days of Velvia 50!!!!) on my FM2n. miss the ViewFinder. and the winding action... other than that, i follow KRW's recommendation. ![]()
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#17 | |
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Deregistered
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#18 | |
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Member
Join Date: Feb 2006
Posts: 959
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but in the case of the DSLR, it reads 0 all the time. you would have to compensate by doing a +1 or -1 (more or less up to you). if you do this, would it mean that you are tell the DSLR to go back to 0 (18% grey card)?
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#19 | |
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