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#2 |
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Senior Member
Join Date: Feb 2002
Location: L2TPYSG
Posts: 4,518
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hi what's the f16 rule? the one they print on the film boxes?
but digicam can change ISO right...
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#3 | |
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Member
Join Date: May 2002
Location: Singapore
Posts: 1,363
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It means that under this clear sunny day outdoor, if you set your F-stop to 16 and shutter speed to 1/(ISO number). You will get the correct exposure. My concern is whether this work with digi cam bcos the appeture, the len design is different from 35mm format. I am not sure if F8 in digi cam is equivalent to F8 for 35mm. Most digicam dun have F16. Any expert???
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#4 | |
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Posts: n/a
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For ISO 100, this means you should shoot at f/16 and 1/100s. Using reciprocity, this is the same as f/11 and 1/200s, or f/8 and 1/400s, or f/5.6 and 1/800s. And so on and so forth. (Btw, I find that it's usually better to trust your camera's meter than to rely on the sunny f/16 rule, but your mileage may vary.) |
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#5 |
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Senior Member
Join Date: Apr 2002
Posts: 2,422
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Hi!
More interestingly, I would like to ask why use the Sunny 16 Rule when you have a reliable light meter in your digital camera. The Sunny 16 Rule can be applied when "sway sway" your light meter goes wrong. |
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#6 | |
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Member
Join Date: May 2002
Location: Singapore
Posts: 1,363
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#7 |
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Senior Member
Join Date: Apr 2002
Posts: 2,422
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Personally, I feel that it's a hit-or-miss kind of concept. But you woudln't be far off from the proper exposure.
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#8 | |
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Member
Join Date: Apr 2002
Posts: 855
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#9 |
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Senior Member
Join Date: Jan 2002
Location: Singapore
Posts: 2,241
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Hi
the sunny 16 rule is not a hit or miss concept. in sunny conditions, hand held incident light meters do agree with the Sunny 16 rule. in fact, the various guidelines for shooting under overcast, shade conditions etc are all very valid. it's the creative application of the rule that gets you results. For example, if u're shooting a backlit subject, u have to modify the readings given by the Sunny 16 rule or incident light reading if u're not taking the incident reading off the subject. of course this assumes u're willing to take time to amass the experience to judge exposure by eye in combination with any of the above tools (handheld meter, in camera meter etc) and pardon me for bursting any bubbles, the light meters in digital cameras are not reliable. In fact, the light meter in ANY camera is not 100% reliable. Show me wat u think is a reliable in-camera meter and I will show you a scene where it will be fooled. ![]() |
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#10 | |
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Senior Member
Join Date: Apr 2002
Posts: 2,422
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Reliable light meter? Let's just say that it's relatively reliable. ![]() |
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#11 |
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Member
Join Date: Apr 2002
Posts: 855
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Before the time of built-in light meters, photographers set their exposure base on a incident-light meter or experience derived from the Sunny 16 guideline. Innovation of built-in light meters make photography much simplier. However, light meter is still a reflected-light meter, which gives an exposure reading on the brightness of the scene assuming it's 18% grey. Built-in light meters are reliable most of the time as a scene is usually 18% grey, however, they get fooled once the scene gets tricky. This is when the photographer comes in and set his own exposure, with the help of the Sunny 16 rule, especially when outdoors. The only advantage I can think of for built-in light meters is they are TTL, which an external light-meter will not be able to compensate for the loss of lights throught the lens etc... |
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#12 | |
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#13 |
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Member
Join Date: Feb 2002
Location: Singapore
Posts: 708
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Remember that film is much more tolorant of exposure errors than digital sensors.
Just something to keep in mimd. ![]() |
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#14 | |
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Member
Join Date: Nov 2002
Posts: 60
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#15 | |
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Member
Join Date: Feb 2002
Location: Singapore
Posts: 708
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