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| General, Reviews, Tech Talk Share tips & tricks, techniques, general photography chat. |
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#1 |
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Senior Member
Join Date: Oct 2003
Posts: 3,536
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anyone wants to share the lighting techniques in the tv show 'Apprentice' on sunday?
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#2 |
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Senior Member
Join Date: Oct 2002
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Seems to be flood lighting (white on white).
General strobes on the surroundings (note the white studio walls) and 1 key light for highlighting on the models so light is bounced generally to create that clean white look. Actually I'm more interested with the set up shown with John Clang's segment in the studio ![]()
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#3 | |
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Senior Member
Join Date: Oct 2003
Posts: 3,536
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back to Apprentice. flooding the background with lights using two L shaped reflectors seems popular. the back of such reflectors was black and placed very close to the model/s. is it to create a dark edge at the model's sides? |
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#4 |
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Ahh.. hehheh the angling of the backdrop is quite an insight... creating that kind of shadow instead of the normal kind.. studio floor must be damn big to accom for that.
The L shaped reflectors' black back acts as barn doors to shield off any excessive lights that might spill.. I'm not sure.. it's only a guess ![]()
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#5 | |
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hmm i missed the show, would be grateful if you can elaborate what the "angling of the backdrop" means.
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#6 | |
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#7 | |
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so its leaning back or leaning front?
and btw, whats the advantage of doing this leaning background.
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#8 | |
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#9 |
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so we wait for SniperD to clarify
after all he apperas to have understood the differnces in "shadow". |
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#10 |
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Member
Join Date: Sep 2002
Posts: 142
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Pray tell what episode and season was that?
I tried calling Starhub and they cannot tell me. They just said 202, but i am sure it is not. No re-run too. Perhaps those with the Starhub tv guide could help us check pls? Many thanks! |
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#11 | |
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#12 |
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Member
Join Date: Sep 2002
Posts: 142
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The Apprentice...
What about the John Clang one? What prog was it? ![]() |
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#13 | |
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#14 | |
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For John, his backdrop was sharply angled at between 60-70 degrees from the right angle of the floor... with that, the shadow of the model (Otto's his name if I recall correctly) was cast either in elongated hence enhancing the look (note that he's shooting from a lower angle oso) or eliminating the conflicting separation of shadow and model (which most of us have in a typical studio set up) And the angle of his para FF plays a part in creating that effect as well. Anyway, I still love that issue of NuYou (Sept 2004) where John did a few spreads of Otto and the colors and techniques... worth learning. In that issue, there's work by Leslie Kee, Chuan Do, Him Him, Wee Khim, Kirby Koh and Mark Law as well.. under One roof of learnable examples in Fashion shoots Well.. that's my 2 cts worth of thought
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EYE-DEAS Last edited by SniperD; 13th April 2005 at 05:27 PM. |
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#15 | |
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#16 |
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Join Date: Oct 2003
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looks like this area of interest appeals to a very limited group of CSers. so esoteric?
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#17 |
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Senior Member
Join Date: Oct 2003
Posts: 3,536
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ok, the angle is more closer to 45 degrees. the shadow of the model faded to less focus or hard from legs to head.
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#19 | |
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#20 | |
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that would be extremely helpful
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